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The Play of Texts and Fragments
This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book s thirty-two contributors constitute an international "who s who" of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
The Meaning and Uses of βασιλεία in the Gospel of Matthew
Contrary to the prevailing view that βασιλεία is a verbal noun signifying God’s rule, this study demonstrates how the term’s pragmatic range in Matthew’s Gospel covers both five distinct types of use and their integration into a coherent concept. The study, which is the first to examine all occurrences of βασιλεία in the First Gospel from the perspective of semantic monosemy, extends and enhances our appreciation of the Matthean Zentralbegriff, and engenders a more accurate apprehension of the nature and aims of the Matthean narrative and the theological views it conveys.
Earthquakes and Eschatology in the Gospel According to Matthew
In this study, Brian Carrier provides a comprehensive analysis of the role that seismic language plays within the Matthean Gospel narrative. After reconstructing what connotations seismic language likely carried in Matthew's cultural context, the author utilizes an historically informed author-oriented narrative criticism that is complemented with redaction criticism to analyze the relationships that Matthew's seismic references display with regards to each other and to the overall narrative. This analysis leads to the conclusion that Matthew's seismic references collectively indicate that the life, death, and resurrection of Jesus together represent the partial fulfillment of the Old Testament eschatological Day of the Lord.
Jairus's Daughter and the Haemorrhaging Woman
In this work, Arie W. Zwiep examines the gospel stories of the raising of Jairus's daughter and the healing of the haemorrhaging woman (Mark 5:21-43; Matt 9:18-26; Luke 8:40-56) from a plurality of (sometimes conflicting) interpretive strategies to demonstrate the need and fruitfulness of a multi-perspectival exegetical approach. Among the various (diachronic and synchronic) methods that are being applied in this study are philological criticism, form criticism and structural analysis, tradition- and redaction criticism, orality studies and performance criticism, narrative analysis, textual criticism and the study of intertextuality. Such a comprehensive approach, it is argued, leads to an increased knowledge and a deepened understanding of the ancient texts in question and to a sharpened awareness of the applicability of current scholarly research instruments to unlock documents from the past.
Fellowship and Food in the Kingdom
Revised version of the author's thesis (doctoral)--Universit'at Bern, 2001.
When I Die, Bury Me Well
"Sennacherib put to death many Israelites. So I stole their bodies to bury them; Sennacherib looked for them and he could not find them." Why do we bury the dead? To honor and respect them? To provide closure and comfort to the living? To provide the dead a final resting place? Tobit buried the dead as the ultimate work of mercy, and its pervasive presence in the narrative discourse of the book of Tobit invites reflection on and consideration of the reason for the practice of burial. The narrative drama radiates a universal sense of what it means to be in exile, namely, that it is an experience of death. Weaving together a complex of ideas related to Israelite interment practices and the reality of Israel's exile from the land given to them by God, this book explores the significance of burial as it relates to God's outstanding promises and Tobit's hopes for the household of Jacob.
Peter's Halakhic Nightmare
Did Luke intend Peter's visionary command to eat 'unclean animals' in Acts 10 to suggest the dissolution of the Jewish Law? Whilst scholars have argued over sources, inconsistent redaction and later reception, many have failed to notice here the novel use of a type of transgression anxiety dream. John Moxon shows how by the incorporation of such naturalistic motifs, Luke takes "revelation" in a new and decidedly psychological direction, probably imitating similar developments in Graeco-Roman biography. If the vision reveals an illegitimate transfer of disgust within an exaggerated halakha of separation, then its target is prejudice and inconsistency, not the Jew-Gentile divide as such, as underlined by the ironic contrast with the pious Cornelius. In this reading, Luke's non-supercessionism is maintained, whilst showing him acutely aware of the kinds of nightmare holding many back from the nascent Gentile mission.
Foreign Service List
Includes field staffs of Foreign Service, U. S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force.
Matthew within Judaism
In this collection of essays, leading New Testament scholars reassess the reciprocal relationship between Matthew and Second Temple Judaism. Some contributions focus on the relationship of the Matthean Jesus to torah, temple, and synagogue, while others explore theological issues of Jewish and gentile ethnicity and universalism within and behind the text.
A Heavenly Chorus
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
