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A companion volume offering essays, surveys and summaries to inform and enlighten.
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses a typ...
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The Han Empire is falling. Mighty warlords raise up, vying for control to claim the ultimate glory of establishing China's next great dynasty. It is a time of cunning villains and great heroes, of beautiful temptresses and brutal tyrants. One man stands above them all-Lu Bu, the mighty warrior, riding on Red Hare, the horse of legend that can run a thousand li. All who challenge him on the battlefield fall before his great halberd; his mighty bow has ended wars with a single shot. But will his might and courage alone be enough to win an empire and determine the future of all China? Romance of the Three Kingdoms is contributed to Luo Guanzhong in the Ming dynasty, and it has been a literary t...
A multi-volume set giving detailed information on every aspect of opera - over 100,000 entries. Improves on Steiger's Opernlexikon by including two additional data-categories for each work (language of text and literary sources) and by covering composers who have appeared since the end-date of Steiger's work (1934).
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
The Han Empire is falling. Mighty warlords raise up, vying for control to claim the ultimate glory of establishing China's next great dynasty. It is a time of cunning villains and great heroes, of beautiful temptresses and brutal tyrants. One man stands above them all--Lu Bu, the mighty warrior, riding on Red Hare, the horse of legend that can run a thousand li. All who challenge him on the battlefield fall before his great halberd; his mighty bow has ended wars with a single shot. But will his might and courage alone be enough to win an empire and determine the future of all China? Romance of the Three Kingdoms is contributed to Luo Guanzhong in the Ming dynasty, and it has been a literary ...