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Ethnomusicology
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Jaap Kunst
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Dutch Culture Overseas
European colonial expansion led to Dutch notions of civilised society, or the Dutch's community's flexible and relatively charitable attitudes toward 'others', being scattered (as in the Greek word 'diaspeirein') to the four corners of the earth. In some cases, the exportation of Dutch cultural values to places overseas, like North America, endowed 'Dutchness' with subtle new meanings. But in colonial Indonesia, Dutch political customs and traditions were transformed in the process of migrating to exotic locales. In this book, Frances Gouda examines the ways in which the Netherlands portrayed its unique colonial style to the outside world. Why were citizens of a small and politically insigni...
The Study of Ethnomusicology
A landmark in ethnomusicology, expanded and revised.
Music in Java
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The Wellsprings of Music
Typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wel...
Recollecting Resonances
Over time Dutch and Indonesian musicians have inspired each other and they continue to do so. Recollecting Resonances offers a way of studying these musical encounters and a mutual heritage one today still can listen to.
Music in Java
One day in the summer of 1921 a postal delivery brought me a little packet of reprints from the periodical "Djawa" : articles about Indonesian music by Dr. JAAP KUNST, which until that moment had not come to my notice. A cursory glance was enough to convince me that the author was a very gifted man, who had made a sound and absolutely scientific study of the subject, and thereby made a valuable contribution, by means of careful observation and actual tone-measurements, to the facts known from the older studies by GRONEMAN, LAND and ELLIS. These measure ments were particularly satisfying to me personally, since they constituted an astonishing confirmation of a hypothesis concerning the genesi...
Scholarship in Action: Essays on the Life and Work of Christiaan Snouck Hurgronje (1857-1936)
The Dutch scholar Christiaan Snouck Hurgronje (1857–1936) was one of the most famous orientalists of his time. He acquired early fame through his daring research in Mecca in 1884-85, masterly narrated in two books and accompanied by two portfolios of photographs. As an adviser to the colonial government in the Dutch East Indies from 1889 until 1906, he was on horseback during campaigns of “pacification” and published extensively on Indonesian cultures and languages. Meanwhile he successively married two Sundanese women with whom he had several children. In 1906 he became a professor in Leiden and promoted together with colleagues abroad the study of modern Islam, meant to be useful for...
The Kecak and Cultural Tourism on Bali
"The Kecak is one of the most well-known dramatic dance performance practices on Bali. It is based on stories from the Old-Indian epic Ramayana, performed by an ensemble of male and female solo dancers and accompanied by a group consisting of approximately 100 men, who function both as musical accompaniment and living scenery that can be flexibly choreographed. Since its genesis in the 1930s the Kecak has been almost solely performed in a tourist context. This book gives a thorough analysis and description of the Kecak in its present form and explores how the Kecak became and stayed a tourist genre for more than 80 years. The book is divided into two parts. The first part focuses on the Kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and Kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the Kecak are addressed separately. The second part deals with the genesis and development of the Kecak from the 1930s onward"--
