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Polish Film
When the Lumiere brothers introduced the motion picture in 1895, Poland was a divided and suffering nation--yet Polish artists found their way into the new world of cinema. Boleslaw Matuszewski created his first documentary films in 1896, and Poland's first movie house was established in 1908. Despite war and repression, Polish cinema continued to grow and to reach for artistic heights. The twentieth century closed with new challenges, but a new generation of Polish filmmakers stood ready to meet them. Here is a complete history of the Polish cinema through the end of the twentieth century, with special attention to political and economic contexts.
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Cinemas of the World
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early s...
Comedy/Cinema/Theory
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together. Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related ...
The Red and the White
The Red and the White: The Cinema of People's Poland takes a fascinating look at the history of post-war Polish cinema, and how it was affected by the political, social and cultural upheavals throughout the period 1947-89. This timely study re-evaluates the legacy of Socialist Realism, the representation of the war, cinematic portrayals of national myth and cultural history, literary adaptation and surrealism, and discourses of exile and national identity. Although paying particular reference to the work of Krzysztof Kieslowski and Andrzej Wajda, this book considers the contribution of a wide range of filmmakers, including Jerzy Skolimowski, Krzysztof Zanussi, Agnieska Holland, Andrzej Munk, Jerzy Kawalerowicz, Wojciech Has and Roman Polanski. The volume also includes unique primary archival research into the role of state-sponsored censorship, and coverage of Polish-Jewish representations in film. Among the many films discussed are A Generation, Eroica, Ashes and Diamonds, Family Life, The Promised Land, The Hour Glass Sanatorium, Hands Up!, Decalogue 8, Europa, Europa and The Double Life of Veronique.
Smithsonian Stories
Why is the Smithsonian more than the "Nation's Attic?" Or more than a museum complex? As Wilton S. Dillon shows, the Smithsonian came to be the institution we know today under the twenty-year leadership of "Sun King" S. Dillon Ripley.Ripley aspired to reinvent the Smithsonian as a great university?with museums. Although little understood by the public at large, it began as a basic research center. The Smithsonian remains a key contributor to the world of higher learning and functions diplomatically as the ministry of culture for the United States. Dillon provides backstage insights into Ripley's quest for the wholeness of knowledge. He describes how he inspired its role as a "theater of idea...
Currents in Transatlantic History
Transatlantic historians are dedicated to analyzing the dynamic process of encounter, interchange, and creolization that was initiated when peoples on different sides of the Atlantic Basin first made contact and continues until the twenty-first century. The forty-ninth annual Walter Prescott Webb Memorial Lecture Series —“Currents in Transatlantic Thought”—was organized to commemorate the fifteenth anniversary of the University of Texas at Arlington’s doctoral program in transatlantic history. Six alumni of the program were invited to return and present their ongoing research in this new approach to history that focuses on the complex process of interchange and adaptation that began when Africans, Amerindians, and Europeans first came into contact. The essays stemming from those lectures cover a variety of topics grouped around three unifying themes—encounters, commodities, and identities—that illustrate the potentiality of transatlantic history.
