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The John Updike Encyclopedia
John Updike is one of the most seminal American writers of the 20th century and one of the most prolific as well. In addition to his best-selling novels, he has written numerous poems, short stories, reviews, and essays. His writing consistently reveals stylistic brilliance, and through his engagement with America's moral and spiritual problems, his works chronicle America's hopes and dreams, failures and disappointments. Though he is an enormously popular writer, the complexity and elegance of his works have elicited growing scholarly attention. Through several hundred alphabetically arranged entries, this book provides both casual and serious readers an exceptional guide to his life and wr...
The Moderate Imagination
In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liber...
Defiant Joy
You may be aware that G. K. Chesterton authored influential Christian biographies and apologetics. But you may not know the larger-than-life Gilbert Keith Chesterton himself—not yet. Equally versed in poetry, novels, literary criticism, and journalism, he addressed politics, culture, and religion with a towering intellect and a soaring wit. Chesterton engaged his world through the written word. He carried on lively, public discussions with the social commentators of his day, continually challenging them with civility, humility, erudition, and his ever-sharp sense of humor. Today’s reader can find the same treasures, for as Chesterton said, “What a man can believe depends upon his philo...
John Updike
This definitive guide to materials by and about this prolific American author consists of a printed first volume and a second volume on CD-ROM. The A and B sections of Volume I, concern separately printed works by Updike and books to which he has contributed. The volume also features over 500 grayscale images of book covers, jackets, broadsides, and many seldom seen items. It includes comprehensive listings of Updike's short fiction, poems, articles, essays and reviews, as well as extensive documentation of letters, speeches, dramatic works, manuscripts, interviews, and blurbs. Volume II contains entries for material about Updike and his work (reviews, commentary, and theses), several appendices (media appearances, work read by others, works in translation, exhibits and catalogs), and full-color versions of images appearing in the printed volume.
Factual Fictions
Factual Fictions: Narrative Truth and the Contemporary American Documentary Novel focuses on contemporary American documentary narratives, specifically the documentary novel, as it re-emerged in the 1960s and later developed into various other forms. The book explores the connections between the documentary novel and the concurrent rise of New Journalism (a.k.a. “literary journalism”) in the United States, situating the two genres in the cultural context of the tumultuous 1960s and an emerging postmodern ethos. Flis makes a comprehensive analysis of texts by Truman Capote, Norman Mailer, John Berendt, and Don DeLillo, while tackling discussions on various theoretical complexities with as...
Gut Feelings
With this collection of personal essays, Merrill Gerber, a widely and well-published novelist and short story writer, has painted a vivid portrait of herself as a writer and offered an honest glimpse of the inspiration for her own creative process. Through vibrant narratives that self-consciously waver on an ambiguous border between memoir and fiction, Gerber transfixes the reader with genuine accounts of her philosophies and samples of her life. The final three pieces of the collection, originally written as fiction, are included here as memoir to demonstrate her contention that the deepest truths in life can be and often are the greatest source from which to draw the best told lies in fiction. This book will appeal to teachers and students of writing as a study on the craft of writing as well as the general reader interested in the writing process.
Stories with a Moral
Stories with a Moral is the first comprehensive study of the effects of plantation society on literature and the influences of literature on social practices in nineteenth-century Georgia. During the years of frontier settlement, the Civil War, and Reconstruction, Georgia authors voiced their support for the slave system, the planter class, and the ideals of the Confederacy, presenting a humorous, passionate, and at times tragic view of a rapidly changing world. Michael E. Price examines works of fiction, travel accounts, diaries, and personal letters in this thorough survey of King Cotton's literary influence, showing how Georgia authors romanticized agrarian themes to present an appealing image of plantation economy and social structure. Stories with a Moral focuses on the importance of literature as a mode of ideological communication. Even more significant, the book shows how the writing of one century shaped the development of social practices and beliefs that persist, in legend and memory, to this day.
Deconstructing True Crime Literature
This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works – those that fit into True Crime and those that defy categorisation within the genre as it exists – are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it.
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