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Robert Motherwell was by far the most intellectual and articulate of the Abstract Expressionists. This book, written by a friend of the artist, the well-known writer and critic Mary Ann Caws, examines Motherwell’s way of thinking and writing in relation to his paintings. The artist, American by birth, yet simultaneously American and European in his way of visualizing and vocalizing artistic and philosophical traditions, always worked between these two poles, and it is this tension that imbues his œuvre with its particular intensity. The author bases her analysis of Motherwell on the artist’s own writings and readings, as well as on extensive conversations and interviews with him. She co...
The Temagami region of northern Ontario has been a magnet for recreational canoeists since the 1890s, when city dwellers began embarking on long, gruelling trips to reach its unfettered wilderness. The land is steeped in the history of its tribal inhabitants, the Teme-Augama Anishnabai (TAA), whose roots are 6,000 years deep. At the turn of the 20th century, the TAA still hunted on their traditional family territories, trading pelts at the Hudson's Bay Company post on Bear Island. The railway arrived in 1904, easing travel from all over North America. Steamships conveyed passengers to all five arms of the lake where rustic resorts and youth camps were popping up. Soon, the village of Temagam...
When Detective Nick Strauss of the Fairview State Police hears news about a possible murder in the picturesque, peaceful town of Benton Harbor in Vermont, he finds it hard to believe. Nothing ever happens in this town-especially nothing sinister. The victim is one Bill Dunfield, a know-it-all from the big city. And Nick realizes his job is about to get a lot harder when he learns that nearly every person in Benton Harbor had a reason to kill Bill. An Investigation of Local Color is an edge-of-your-seat whodunnit that will keep you guessing until the very end.
CARROLTON, GEORGIA, 1974, LIZ had been seeing demons for years the night she was summoned to her mother's death bed. "I think I can help" whispers the eighty-year old MARY ALICE, her silver hair flowing over chocolate skin and Indian cheekbones. MARY ALICE had divorced out of the family years earlier to be rid of dark spirits and an alcoholic husband, only rejoining LIZ and her siblings a decade later.
There is September 11 and then there are the days after, and finally the years. Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. First there is Keith, walking out of the rubble into a life that he'd always imagined belonged to everyone but him. Then Lianne, his es-tranged wife, memory-haunted, trying to reconcile two versions of the same shadowy man. And their small son Justin, standing at the window, scanning the sky for more planes. These are lives choreographed by loss, grief and the enormous force of history. Brave and brilliant, Falling Man traces the way the events of September 11 have reconfigured our emotional landscape, our memory and our perception of the world. It is cathartic, beautiful, heartbreaking.
Featuring sixty-seven illustrations, and providing an important reckoning and visualization of the previously hidden Jewish 'ghosts' within US art, Jewish Identities in American Feminist Art addresses the veiled role of Jewishness in the understanding of feminist art in the United States. From New York city to Southern California, Lisa E. Bloom situates the art practices of Jewish feminist artists from the 1970s to the present in relation to wider cultural and historical issues. Key themes are examined in depth through the work of contemporary Jewish artists including: Eleanor Antin Judy Chicago Deborah Kass Rhonda Lieberman Martha Rosler and many others. Crucial in any study of art, visual studies, women's studies and cultural studies, this is a new and lively exploration into a vital component of US art.
Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century. More than most social movements, feminism was transmitted and understood through culture—art installations, Ms. Magazine, All in the Family, and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in th...