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Drawing on stories from diverse women who have been single for many years, Trimberger explodes the idea that fulfillment comes only through coupling with a soulmate. Instead she presents an exciting new identity for women in the twenty-first century: the new single woman--a woman who is content with her single life. These gripping personal accounts of how single women's lives evolve over time, combined with Trimberger's incisive analysis, blend to provide a much-needed cultural roadmap for every single woman who is striving to create a satisfying and meaningful life. Trimberger's all-inclusive, paradigm-shifting notion is one that ultimately strengthens and enriches both single women and couples.
'America's foremost thinker and writer on the single experience ' Atlantic 'Bella DePaulo isn't just a powerhouse, she's a lighthouse ... We need more luminaries like her' Catherine Gray, author of The Unexpected Joy of Being Single All too often, society issues dire warnings about the risks of single living. But is finding a romantic partner really a requirement for a full life? World-leading expert on single life Dr Bella DePaulo argues that a healthy, happy life is possible not in spite of being single - but because of it. DePaulo draws on her research expertise, as well as her own experience as a single woman, to demonstrate how choosing to be single can provide confidence, strength and deep fulfilment. With advice on topics including solitude, freedom, intimacy, children and societal pressure, Single at Heart addresses misconceptions about single life and gives you the tools and self-knowledge to stand up for what is right for you.
There Goes the Bride is your personal guide to calling off a wedding— maybe your own! It walks the reader through the reasons, logistics, and emotions associated with breaking an engagement and provides down-to-earth advice, support, and encouragement from women who have been there. Rachel Safier— the widely recognized expert on the topics of cold feet and broken engagements— addresses all your concerns, including figuring out if it's more than just cold feet, dealing with friends and family who don't understand, giving back the ring, and more. Filled with stories from sixty-two 'almost brides' from twenty-five. states and four countries who've been through this difficult process themselves, There Goes the Bride offers comfort, inspiration, practical advice, some tears, and quite a few laughs.
This is a groundbreaking study of our culture's obsession with weddings. By examining popular films, commercials, magazines, advertising, television sitcoms and even children's toys, this book shows the pervasive influence of weddings in our culture and the important role they play in maintaining the romance of heterosexuality, the myth of white supremacy and the insatiable appetite of consumer capitalism. It examines how the economics and marketing of weddings have replaced the religious and moral view of marriage. This second edition includes many new and updated features including: full coverage of the wedding industrial complex; gay marriage and its relationship to white weddings and heterosexuality and demographics shifts as to who is marrying whom and why, nationally and internationally.
This volume traces how American literature evolved in response to widespread conflicts over the very nature of US democracy in the early republic and antebellum eras. It examines how American writers reacted to three moments of profound divisiveness in the 1790s, 1830s, and 1850s.
A work of reference on 'the age of Johnson', putting literature in the context of the society that produced it.
From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self.
Chances are that you are getting it all wrong. In this eye-opening new work, slut-shaming expert Leora Tanenbaum explains that when we criticize young women for wearing body-revealing outfits and sharing sexy selfies, we are losing the plot. The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to. Young people are sick of being held responsible for others’ inability to keep their eyes off their bodies. They explain that most of the time, they aren’t even trying to sexualize themselves—and, when they do, they are taking control over their bodily autonomy and standing up for themselves. Tanenbaum demonstrates that “sexy” does ...
The fabulous gown, the multitiered cake, abundant flowers, attendants and guests in their finery. The white wedding does more than mark a life passage. It marries two of the most sacred tenets of American culture—romantic love and excessive consumption. For anyone who has ever wondered about the meanings behind a white dress, a diamond ring, rice, and traditions such as cake cutting, bouquet tossing, and honeymooning, this book offers an entertaining and enlightening look at the historical, social, and psychological strains that come together to make the lavish wedding the most important cultural ritual in contemporary consumer culture. With an emphasis on North American society, Cele C. O...
No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries. Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncom...