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An insightful and well-documented biography about the beloved and successful 19th century Yiddish writer, Jacob Dinezon. Called the "Father of the Jewish Realistic Romance" and author of the first bestselling Yiddish novel, Dinezon was closely associated with the leading Jewish writers of his day, including Sholem Abramovitsh (Mendele Mocher Sforim), Sholem Aleichem, and I. L. Peretz. Dinezon wrote poignant stories about Eastern European shtetl life and focused on the emotional conflicts affecting young people as the modern ideas of the Jewish Enlightenment challenged traditional religious practices and social norms. Frequently, the plight of his characters brought tears to the eyes of his d...
YOSELE, Jacob Dinezon's short novel published in 1899, exposed in vivid detail the outmoded and cruel teaching methods prevelant in the traditional cheders (Jewish elementary schools) of the late 1800s. Writing in Yiddish to reach the broadest Jewish audience, Dinezon described with all the pathos of Charles Dickens, the sad, poverty-stricken life of a bright and gentle school boy whose violent treatment at the hands of his teacher, parents, and society is shocking and painfully heartrending. The outrage that resulted from the story's initial publication produced an urgent call for reform and set the stage for the beginning of a secular school movement that transformed Jewish elementary education. This first-time English translation by Jane Peppler presents a rare and vivid picture of Jewish life in Eastern Europe at the turn of the twentieth century. An excellent resource for classes in Jewish Studies, Yiddish literature, and Eastern European History.
Mindy Liberman's English translation of Jacob Dinezon's 1904 novella, Falik and His House, is a masterful tale of one man's stubborn determination to preserve his home, self-respect, and traditional way of life.
This first English translation of Sholom Aleichem's rediscovered novel, Moshkeleh the Thief, has a riveting plot, an unusual love story, and a keenly observed portrayal of an underclass Jew replete with characters never before been seen in Yiddish literature. The eponymous hero, Moshkeleh, is a robust chap and horse thief. When Tsireleh, daughter of a tavern keeper, flees to a monastery with the man she loves--a non-Jew she met at the tavern--the humiliated tavern keeper's family turns to Moshkeleh for help, not knowing he too is in love with her. For some unknown reason, this innovative novel does not appear in the standard twenty-eight-volume edition of Sholom Aleichem's collected works, p...
Memories and Scenes: Shtetl, Childhood, Writers is the first English translation of eleven autobiographical short stories by the beloved and successful 19th century Eastern European Yiddish writer, Jacob Dinezon (1852?-1919). Friend and mentor to almost every major Jewish literary figure of his day, including Sholem Abramovitsh (Mendele Moykher Sforim), I. L. Peretz, Sholem Aleichem, S. An-ski, and Abraham Goldfaden, Dinezon played a central role in the development of Yiddish as a modern literary language.
YOSELE, Jacob Dinezon's short novel published in 1899, exposed in stark detail the outmoded and cruel teaching methods prevalent in the traditional cheders (Jewish elementary schools) of the late 1800s. Writing in Yiddish to reach the broadest Jewish audience, Dinezon described with all the pathos of Charles Dickens, the sad, poverty-stricken life of a bright and gentle school boy whose violent treatment at the hands of his teacher, parents, and society is shocking and painfully heartrending. The outrage that resulted from the story's initial publication produced an urgent call for reform and set the stage for the beginning of a secular school movement that transformed Jewish elementary education. This first-time English translation by Jane Peppler presents a rare and vivid picture of Jewish life in Eastern Europe at the turn of the twentieth century. An excellent resource for classes in Jewish Studies, Yiddish literature, and Eastern European History.
A master historian traces the flourishing of organized religion in Manhattan between the 1880s and the 1960s, revealing how faith adapted and thrived in the supposed capital of American secularism. In Gilded Age Manhattan, Catholic, Jewish, and Protestant leaders agonized over the fate of traditional religious practice amid chaotic and multiplying pluralism. Massive immigration, the anonymity of urban life, and modernity’s rationalism, bureaucratization, and professionalization seemingly eviscerated the sense of religious community. Yet fears of religion’s demise were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism. By the 1950...
Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performa...
The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices--young and old, men and women, the pious and the secular, optimists and pessimists--and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as "a civilization responding to its own destruction," these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.
The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices—young and old, men and women, the pious and the secular, optimists and pessimists—and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as “a civilization responding to its own destruction,” these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.