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"We Will Be Citizens"
A dozen essays by a range of established scholars and performing artists address issues in post-1969 American gay and lesbian theatre and drama, the period after the raid at the Stonewall Inn helped spawn a "gay revolution." The collection covers playwrights, millennial dramatists, and actors while exploring the history of gay-themed theatre and drama, the breadth of stage roles, and the dramatic representation of homosexual characters from various perspectives. These include the impact of AIDS, contemporary American politics, images of homophobia, gay-themed plays aimed at Theatre for Youth audiences, and other topics.
Puppet and Spirit: Ritual, Religion, and Performing Objects
This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contem...
Analytic Philosophy and the World of the Play
Cover -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Introduction: Theatre and the mirror of nature -- Part I Exposing the problem and proposing a solution -- 1 Theatrical names and reference: Dialectical-synecdochic objects and "re-creation"--2 The world of the play: Theatre as "re-creation"--Part II Applying the (proposed) solution to the problems -- 3 "Liveness"? The presumption of dramatic and theatrical "liveness" -- 4 Boundedness of (fictional) theatre to our (real) world: Actor and audience -- 5 Identity across "possible worlds": "The world beyond" the play -- Conclusions -- #1 The purpose of playing: Why go to the theatre? -- #2 Where the world of theatre ends: Performance art -- #3 Make-believe -- Afterword -- Bibliography -- Index
Stages of Emergency
DIVCultural history of the nuclear civil defense excercises in the US, Canada, and the UK, which emphasizes the performative aspect of the staged drills and evacuations./div
Drumming Asian America
With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, over 400 groups now exist across the US and Canada, and players come from a range of backgrounds. Using ethnographic and historical approaches, combined with in-depth performance description and analysis, this book explores the connections between taiko and Asian American cultural politics. Based on or...
Experiencing Liveness in Contemporary Performance
This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an int...
Adapting Translation for the Stage
Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across boundaries, exploring common themes encountered when writing, staging, and researching translated works.
Transimperial Anxieties
From the late 1850s to the 1940s, multiple colonial projects, often in tension with each other, influenced the formation of local, transimperial, and transnational political identities of Arab Ottoman subjects in the eastern Mediterranean and the Western Hemisphere. Arab Ottoman men, women, and their descendants were generally accepted as whites in a racially stratified Brazilian society. Local anxieties about color and race among white Brazilians and European immigrants, however, soon challenged the white racial status the Brazilian state afforded to Arab Ottoman immigrants. In Transimperial Anxieties José D. Najar analyzes how overlapping transimperial processes of migration and return, c...
Performing Piety
“’Piety is not something you talk about, it is something you do,’ writes Elaine Peña towards the beginning of this excellent book—itself a wonderful doing. Peña participates actively as an engaged scholar. This is necessary reading for scholars of religion, performance studies, Latino/a Studies, and popular culture.” —Diana Taylor, author of The Archive and the Repertoire: Performing Cultural Memory in the Americas “Peña provides a major contribution to our understanding of sacred space, of the world of contemporary Mexican migrants, and of the vibrant ways in which Catholics honor the Virgin of Guadalupe. This is an important book about a transnational devotion, a book that...
Theatre, Exhibition, and Curation
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and...
