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Jacob Sam-La Rose has been described as 'a one-man literary industry'. This was Patrick Neate's comment on the BBC Poetry Season website: 'Passionate about poetry and its power to change people's lives, he's a lesson to us all. He's also a damn fine writer.' Already well-known on the UK performance circuit, Sam-La Rose has also spent many years working with young people in schools and communities, especially around London. So it will come as a surprise to many that Breaking Silence is his first book-length collection of poetry. It is a collection that sits on the threshold between the personal and the profound, with eyes on race and dual heritage; masculinity and manhood; definitions and sen...
In her debut book, Keisha Thompson presents a series of new poems alongside the script for her award-winning play, Man on the Moon. Step into a world that uses the language of mathematics, logic and science to explore the Black British experience, masculinity and mental health. These themes are pushed through the lens of Keisha's relationship with her dad. A recluse who has mainly communicated with Keisha through letters, symbols and books.The book features an introduction from University of Manchester's Academic Lead for Equality, Diversity & Inclusion, Dr Dawn Edge. "Thought-provoking, challenging, and inspirational by turns; this work affords insight into the impact of mental illness and the healing, redemptive power of love and forgiveness."
'The mouthmark Book of Poetry' is an anthology of the individual-author titles published under the mouthmark poetry pamphlet series, comprising the work of Nick Makoha, Inua Ellams, Jacob Sam-La Rose, Jessica Horn, Truth Thomas, Denise Saul, Malika Booker, Janett Plummer and Warsan Shire. The series was conceived by flipped eye publishing's senior editor, Nii Ayikwei Parkes, as a means to get poets from non-mainstream backgrounds - including performance - into print. It was revolutionary for two reasons; first, it was a pamphlet series developed with a specific aim (later, tall-lighthouse would launch its pilot series, and, much later, Faber would launch its New Poets Initiative); second, it...
In Their Own Words is a celebration of the variousness of contemporary poets living and writing in the UK today. 56 poets talk about their own poetic voices and their work. Essential reading for anybody who cares about poetry.A backstage peek behind the poetry of some of the best contemporary UK writers. Edited by T.S. Eliot prize winner George Szirtes and Helen Ivory — two of the UK’s most respected poets and teachers.In Their Own Words is an examination of the voices writing in the UK today – the book addresses multiculturalism, page and stage, and LBG issues, as well as traditional ‘page’ poetry.This book is not retrospective, it is a representation of the poetry world as a living, breathing developing thing.Readers will get an insight into the many ways the poetic voice can develop – it’s a behind the scenes look at the poetics of the poetry.There is nothing currently available quite like it.
From Agard to Zephaniah, the very best of children's poetry from the very best of children's poets appears in this wonderful and exciting anthology edited by Michael Rosen, the Children's Laureate. Coinciding with his laureateship and a very welcome public promotion of the need for children's poetry in our education system, this future classic for Puffin will delight readers young and old, and make the perfect gift.
One of the Evening Standard's Best Non-fiction 2021. 'We knew that black and brown bodies, working class voices, women's voices, did not have a space where they could be heard - and so this writing collective was a necessary and political act' In the early years of the new millennium, poets Malika Booker and Roger Robinson saw the need for a space for writers outside of the establishment to grow, improve, discuss and learn. One Friday night, Malika offered her Brixton kitchen table as a meeting place. And so Malika's Poetry Kitchen was born. 'Kitchen', as it became known, has ushered in a new generation of voices, launching some of the most exciting writers, books and initiatives in British poetry in the past twenty years. Today, Kitchen is a thriving writers' collective, with a wealth of talented poets and branches in Chicago and India. Too Young, Too Loud, Too Different is a celebration of Kitchen's legacy, an appreciation of its foundational spirit and a rallying cry for all writers to dream the future. The collection features breathtaking new poems by Warsan Shire, Inua Ellams, Kayo Chingonyi, Dean Atta, Roger Robinson, Malika Booker among many others.
Rachel Long’s much-anticipated debut collection of poems, My Darling from the Lions, explores shame, love and healing through her intimate poetic voice. Shortlisted for the Rathbones Folio Prize Shortlisted for the Costa Poetry Award Shortlisted for the Forward Prize for Best First Collection Shortlisted for the Jhalak Prize 'An enchanting and heartwarming new voice in poetry.' – Bernardine Evaristo, author of Girl, Woman, Other Each poem has a vivid story to tell – of family quirks, the perils of dating, the grip of religion or sexual awakening – stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous. Long reveals herself as a razor-shar...
In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.” The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.
Though firmly rooted in the domestic, natural world, Jean Sprackland's poems are thrilling excursions into the lives that we live alongside our everyday ones: the lives we are aware of in dreams, in grief, in love. She shows us the vertigo and vulnerability of human experience with great clarity and precision, tenderness and care. These are vivid poems full of light and weather and water: a flooded forest, acid rain, an inland tidal wave, an ocean of broken glass; jellyfish washed up on the beach that 'lay like saints/ unharvested, luminous'. There is an arresting imagination at work here, one as relaxed and at home in an alternative world of babies in filing cabinets, light collectors or the visiting dead, as it is in the world we think we know: supermarkets, empty flats, the A580 from Liverpool to Manchester. Lucid, sensuous and informed by an unusually tactile curiosity, the poems in Hard Water mark the assured arrival of an important poet.
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