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A powerful critique of the failures in our healthcare system and an inquiry into the sinister strains of wellness culture that prey on people’s vulnerabilities through schemes, scams, and diets. Jacqueline Alnes was a Division One runner during her freshman year of college, but her season was cut short by a series of inexplicable neurological symptoms. What started with a cough, escalated to Alnes collapsing on the track and experiencing months of unremembered episodes that stole her ability to walk and speak. Two years after quitting the team to heal, Alnes’s symptoms returned with a severity that left her using a wheelchair for a period of months. She was admitted to an epilepsy center...
“Crackling and bighearted...A powerhouse [that] echoes with the truth that we find harmony when we listen first to ourselves.” —Oprah Daily * “Takes off with magnificent speed and never lets up.” —The New York Times * “Revolutionary.” —NPR’s Morning Edition * A Los Angeles Times and Publishers Weekly Best Book of the Year A provocative and “darkly funny” (Cosmopolitan) novel about a woman who desperately wants a child but struggles to accept the use of assisted reproductive technology—a “riotous, visceral” (Vanity Fair) send-up of feminism, fame, art, commerce, and autonomy. On the eve of her fourth album, singer-songwriter Aviva Rosner is plagued by infertility...
This book is the first to examine life writing and disability in the context of Irish culture. It will be valuable to readers interested in Disability Studies, Irish Studies, autobiography and life writing, working-class literature, popular culture, and new media. Ranging from Sean O’Casey’s 1939 childhood memoir to contemporary blogging practices, Disability and Life Writing in Post-Independence Ireland analyzes a century of autobiographical writing about the social, psychological, economic, and physical dimensions of living with disabilities. The book examines memoirs of sight loss with reference to class and labor conditions, the harrowing stories of residential institutions and the advent of the independent living movement, and the autobiographical fiction of such acknowledged literary figures as Christy Brown and playwright Stewart Parker. Extending the discussion to the contemporary moment, popular genres such as the sports and celebrity autobiography are explored, as well as such newer phenomena as blogging and self-referential performance art.
In an “eye-opening memoir” (People) “as beautiful as it is discomfiting” (The New Yorker), award-winning writer Apricot Irving untangles her youth on a missionary compound in Haiti. Apricot Irving grew up as a missionary’s daughter in Haiti. Her father was an agronomist, a man who hiked alone into the deforested hills to preach the gospel of trees. Her mother and sisters spent their days in the confines of the hospital compound they called home. As a child, this felt like paradise to Irving; as a teenager, it became a prison. Outside of the walls of the missionary enclave, Haiti was a tumult of bugle-call bus horns and bicycles that jangled over hard-packed dirt, road blocks and bu...
'It raises the standard of nature writing. This is both radical manifesto and activism in book form' Sally Huband, author of Sea Bean 'Long before I knew I was sick, I knew I was breakable . . .' After years of unexplained health problems, Polly Atkin's understanding of her body had become fluid and disjointed. When she was finally diagnosed with two chronic conditions in her thirties, she began to piece together her own history: the fractures and dislocations, the exhaustion and medical disregard. A searing blend of memoir, nature writing and pathography, Some of Us Just Fall traces a remarkable journey through illness. From misdiagnoses to wild swimming in the Lake District, Polly examines her genetic inheritance, her place in the natural world and her future in her body. 'Defiant and dazzling' Freya Bromley, author of The Tidal Year