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Pornography
Pornography looks at the events of the first week of July 2005 (the G8 summit, Live 8, the announcement of the 2012 Olympics and the 7/7 bombings) through the perspectives of eight anonymous individuals, including a terrorist. The play can be performed by any number of actors with the scenes presented in any order. This flexibility means that it is ideal for student groups: containing four monologues, two duologues and fifty-two self-contained anecdotal speeches. This Student Edition offers a study of the meaning, context and performance choices available in this subtle and political play. The in-depth commentary explores the play's themes, its kaleidoscopic structure and the play's producti...
Modern British Playwriting: 2000-2009
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (...
The Cilla Rose Affair
He played a spy on TV . . . Now he’s recruiting his sons into the real-life world of international espionage—from the author of Skywatcher. Evan Harris’s experiences as a spy helped make him a star playing one on television. When Britain’s best-loved breakfast show DJ dies, only Evan knows what it has to do with a pirate radio station, a long-lost diary, a suspected double agent, the London Underground, and mysterious sound waves underneath the Fitzroy Theatre. So Evan recruits his three sons to help him unmask the traitor deep within the British spy community in a sting operation not unlike a storyline from his own cult 1960’s TV show . . .
Text and Performance in Contemporary British Theatre
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, art...
Theatre History Studies 2017, Vol. 36
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
After In-Yer-Face Theatre
This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.
The Cambridge Companion to British Theatre since 1945
The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Howard Barker's Theatre: Wrestling with Catastrophe
This volume overturns outdated perceptions of Howard Barker's work, presenting new, interdisciplinary and international perspectives on it. Grounded in the reading of practice, it offers readers fresh tools through which to understand, engage with and stage Barker's work.
The New Wave of British Women Playwrights
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
