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Local Meanings of Proportionality
A strong counter-argument to the universalising discourse on proportionality and global constitutionalism.
Graphic History
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
The Transformation of Administrative Law in Europe
"This volume is a collection of the papers presented at the first ('kick-off') meeting in ... Dornburg, near Jena (Germany), 26-28 May 2005."--Foreword.
Bel-Ami
Maupassant's second novel, Bel-Ami (1885) is the story of a ruthlessly ambitious young man (Georges Duroy, christened "Bel-Ami" by his female admirers) making it to the top in fin-de-sihcle Paris. It is a novel about money, sex, and power, set against the background of the politics of the French colonization of North Africa. It explores the dynamics of an urban society uncomfortably close to our own and is a devastating satire of the sleaziness of contemporary journalism. Bel-Ami enjoys the status of an authentic record of the apotheosis of bourgeois capitalism under the Third Republic. But the creative tension between its analysis of modern behavior and its identifiably late nineteenth-century fabric is one of the reasons why Bel-Ami remains one of the finest French novels of its time, as well as being recognized as Maupassant's greatest achievement as a novelist. This new translation is complemented by fullest introduction and notes of any edition currently available.
French Renaissance and Baroque Drama
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Porsche 911R-RS-RSR
Porche’s beautiful 911 model has a long history and a well-deserved reputation for blistering road performance but, in the 1970s, with motor racing in mind, Porsche built some even more muscular 911s – the R, RS and RSR. John Starkey has spent many years researching and recording the history of these ‘Super Porsches’ and his ongoing quest has resulted in this revised and enlarged edition of what has become the standard reference work on the Rennsport 911s. As well as text revisions and updated individual chassis records, this edition features a full reproduction of the Carrera RS sales brochure, Carrera RS 1973 homologation papers and a typical Wagenpass. Between these covers the rea...
The Stoics
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Constantino de la Fuente (San Clemente, 1502–Seville, 1560)
During the first half of the sixteenth century the Spanish Inquisition fought "Lutheranism" in a benign way, but as time passed the power struggle between those that favoured reform and the detractors intensified, until persecution became relentless under the mandate of Inquisitor General Fernando de Valdés. The power struggle did not catch Constantino by surprise, but the tables turned faster than he had expected. On 1 August 1558 Constantino preached his last sermon in the cathedral of Seville; fifteen days later he was imprisoned. Constantino's evangelising zeal is evident in all his works, but the core of his theology can be found in Beatus Vir, where he deals with the doctrines of sin and pardon, free grace, providence, predestination, and the relationship between faith and works. In his exposition of Psalm 1, Constantino does not resort to human philosophies but associates the spiritual fall of humanity with ugliness. In his exhortation to the reader, he states: "we shall plainly see the repulsiveness of that which seems so good in the eyes of insane men, and the beauty and greatness of that which the Divine Word has promised and assured those who turn to its counsel."
Pierre Et Jean
Pierre et Jean marked a turning point in the development of French fiction, situated as it is between traditional social realism and the pyschological novel. It is recognized as a classic study of filial jealousy and is also notable for its evocation of the Normandy coastline captured by the Impressionists.
