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For Humanity's Sake
For Humanity's Sake highlights the role of the critic Apollon Grigor'ev, who was first to formulate the difference between West European and Russian conceptions of national education or Bildung - which he attributed to Russia's special sociopolitical conditions, geographic breadth, and cultural heterogeneity. Steiner also shows how Grigor'ev's cultural vision served as the catalyst for the creative explosion that produced Russia's most famous novels of the 1860s and 1870s.
Sex in Public
Sex in Public examines the ideological poetics and the rhetoric of power in the Soviet Union during the 1920s, a period of anxiety over the historical legitimacy of Soviet ideology and Bolshevik power. Drawing on a wide range of soruces—Party Congress transcripts, the classics of early Soviet literature, sex education pamphlets, the cinema, crime reports, and early Soviet ventures into popular science—the author seeks to explain the period's preoccupation with crime, disease, and, especially, sex. Using strategies of reading developed by literary scholars, he devotes special care to exploring the role of narrative in authoritative political texts. The book breaks new ground in its attent...
Redemption and the Merchant God
Dostoyevsky's antisemitism, manifested in his writings of the 1870s, seems to contradict his humanism, and many critics have tended to dismiss it as a marginal detail of the writer's views. Argues, however, that antisemitism held an important place in Dostoyevsky's ethical system, and was linked to his vexed relationship with Christianity. Notes that he staunchly held three ethical principles: sanctity of children, incompatibility of ethics with utilitarianism and calculation, and the view that every kind of authority was bound by the same moral strictures as individuals. Thus, he could not accept a God who had sacrificed his "son" or a redemption brought about by the suffering of a child (J...
Dostoevsky's The Idiot
This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work.
Confronting Dostoevsky's Demons
Although criticized at one time for its highly tendentious spirit, Dostoevsky's Demons (1871-1872) has proven to be a novel of great polemical vitality. Originally inspired by a minor conspiratorial episode of the late 1860s, well after Dostoevsky's death (1881) the work continued to earn both acclaim and contempt for its scathing caricature of revolutionists driven by destructive, anarchic aims. The text of Demons assumed new meaning in Russian literary culture following the Bolshevik triumph of 1917, when the reestablishment and expansion of centralized state power inevitably revived interest in the radical populist tendencies of Russia's past, in particular the anarchist thought of Dostoe...
The Cambridge Companion to Twentieth-Century Russian Literature
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.
Dostoevsky and the Christian Tradition
Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use of the gospels and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism. In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works such as The Landlady and A Little Boy at Christ's Christmas Tree.
Representing Epilepsy
Representing Epilepsy, the latest volume in Liverpool University Press’s acclaimed Representations series, is the first book that looks at the cultural and literary history of epilepsy, a condition that afflicts at least 50 million people worldwide. Jeannette Stirling argues that neurological discourse about epilepsy from the late nineteenth century through to the mid-twentieth century was forged as much by cultural conditions of the times as it is by the science of western medicine. Stirling also explores narratives of epilepsy in works as diverse as David Copperfield and The X Files, drawing out the many ideas of social disorder, tainted bloodlines, sexual deviance, spiritualism, and criminality they depict. This pathbreaking book will be required reading for cultural disability studies scholars and for anyone seeking a better understanding of this very common condition.
