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Josie James lives in Paris with her British Flat mate, Chrissie and works with another Brit, Libby. They live the high life going out to bars, restaurants and clubs, usually at the expense of their friend Daniel, a filthy rich banker who is besotted by Chrissie. Daniel treats them to a champagne-fuelled day out at the glitzy Tour de L'Arc de Triomphe at Longchamps racecourse. Josie meets Max there, whose addiction to women is constant and insatiable. With a body built for sin, and more charm than should be legal for one man to have, they begin a steamy but secret relationship as Max already has a girlfriend whom it quickly becomes evident he has no intention of dumping. One night in Paris, t...
The first English translation of the French cult classic that lampoons France’s most popular intellectuals of the post-1968 period and their ideas, which became forces of counterrevolution. Eric-John Russell’s translation of Jaime Semprún’s brutal takedown of France’s best-known intellectuals of the post-1968 period, A Gallery of Recuperation, is one of the first full English versions of any of Semprún’s books. Originally titled Précis de recuperation, the book is a scathing critique of ten major thinkers, including Michel Foucault, Gilles Deleuze, Jean-François Lyotard, and Cornelius Castoriadis. Semprún uses this catalog of careerism to reflect on the concept of recuperation...
Histories of Architecture Education in the United States is an edited collection focused on the professional evolution, experimental and enduring pedagogical approaches, and leading institutions of American architecture education. Beginning with the emergence of architecture as a profession in Philadelphia and ending with the early work, but unfinished international effort, of making room for women and people of color in positions of leadership in the field, this collection offers an important history of architecture education relevant to audiences both within and outside of the United States. Other themes include the relationship of professional organizations to educational institutions; th...
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901–1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect’s closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters—many from far-flung places—until his untimely death. This book weaves together Pattison’s own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn’s inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner.
Chinese cities are undergoing profound changes. Urban development has transformed the townscape; low-rise structures based on courtyard type housing, horizontal in character, have been replaced by vertical constructions. In the 1980s and 1990s Chinese cities were featured by the conflicting wishes for rapid modernization and cultural continuity. The articles of this book refer to experiences drawn from this particular period of time, and are selected among case studies and related theoretical considerations. The case studies are concentrated on four cities: Beijing, Xi'an, Quanzhou and Shanghai. The authors have all been active in different fields of urban transformation in historic Chinese cities. They are politicians, historians, planners, anthropologists, architects and scholars. The articles describe the substantial transformation of the cities and the implications of this change. The contributing authors represent three countries; China, France and Norway. They all participated in two conferences in 1995 and 1996, dealing with urban renewal in housing areas of traditional Chinese cities. The outcome of these conferences constitute the raw material for this book.
El hormigón encarna la lógica capitalista. Es el lado concreto de la abstracción mercantil. Como ella, anula todas las diferencias y es más o menos siempre lo mismo. Producido de forma industrial y en cantidades astronómicas, con consecuencias ecológicas y sanitarias desastrosas, ha extendido su dominio por el mundo entero, asesinando las arquitecturas tradicionales y homogeneizando todos los lugares con su presencia. Monotonía del material, monotonía de las construcciones que se edifican en serie conforme a algunos modelos básicos de duración muy limitada, tal como establece el reinado de la obsolescencia programada. Al transformar definitivamente la edificación en mercancía, es...
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The production of urban space in scarcely studied by scholars in historical and urban studies, the city being still predominantly seen as a frame in which activities and social relationship develop, not a produce in itself. The scope of the book is the comprehension of this production. This implies an adequate conceptualisation of the way urban space can be measured and broken down in units which can be put in relation with social processes and agents. A first part examines the concepts and their implications. The second part deals with the anthropology and typology of architectural production considered in relation to demography. The third part develops on the rhythms of the space production at Lyon from the late 15th century to the 19th. The temporalities and spatialities of the production are determined and examined. The agents of the production are studied all along the period, in parallel to the market aimed at: investors in real estate, tenants, activities. Each phenomenon identified can be described and understood as in the meantime a temporal, spatial and social unit.