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The decade that gave the world Krazy Kat, Rube Goldberg, and Buster Keaton also marked the emergence of Jacques Vache. A bold jaywalker at the crossroads of history, and an ardent exemplar of freedom and revolt, Vache challenged all prevailing values, from church and state to white supremacy, and was especially gifted at the fine art of ridiculing the dominant ethics and aesthetics of the emerging age of imperialism. Conscripted into the French Army in World War One, he soon became not only the unsurpassed champion of "Desertion from Within," but also the master of "Disservice with Diligence." His post-humous slim book, "War Letters" (1919)--included in the present volume--is a classic of surrealiste anti-militarism and subversion. Renowned as the Inventor of Umour (Humour without the H), Vache was--along with Isidore Ducasse, Comte de Lautramont--the major inspirer of Andre Breton and the surrealist revolution. The first of its kind in English, this book chronicles Vaches boundless originality, creative nonconformity, revolutionary morality (or umoral-ity), and his all-out turn-the-world-upside-down hilarity.
The decade that gave the world Krazy Kat, Rube Goldberg, and Buster Keaton also marked the emergence of Jacques Vache. A bold jaywalker at the crossroads of history, and an ardent exemplar of freedom and revolt, Vache challenged all prevailing values, from church and state to white supremacy, and was especially gifted at the fine art of ridiculing the dominant ethics and aesthetics of the emerging age of imperialism. Conscripted into the French Army in World War One, he soon became not only the unsurpassed champion of "Desertion from Within," but also the master of "Disservice with Diligence." His post-humous slim book, "War Letters" (1919)--included in the present volume--is a classic of surrealiste anti-militarism and subversion. Renowned as the Inventor of Umour (Humour without the H), Vache was--along with Isidore Ducasse, Comte de Lautramont--the major inspirer of Andre Breton and the surrealist revolution. The first of its kind in English, this book chronicles Vaches boundless originality, creative nonconformity, revolutionary morality (or umoral-ity), and his all-out turn-the-world-upside-down hilarity.
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Vache, Jacques Atlas Anti-Classics This book collects together works by four 'writers' on the fringes of the Dada movement in 1920's Paris. All four took the nihilism of the movement to its ultimate conclusion, their works are remnants of lives lived to the limit and then cast aside with nonchalance and abandon. Yet, their writings - to which they attached so little importance - still exert a powerful allure and were a vital inspiration to the Dada movement.
Breton's stature is much greater than that of a number of contemporaries who have received, already, far more attention from the critics than he. It provides justification without excuse, especially when the commentator's purpose is to shed light on the intricacies of Breton's mind, the significance of his original work, or the impact of his ideas on twentieth-century culture. Hence the aim pursued in the present study may be stated without further preamble: To attempt to broaden understanding of the evolution of Andr Breton's thinking during a critical period in his life, the one which brought him to leadership of the surrealist movement in France. Evidently, the focus here is narrow, the goal being to give clearer definition to the intellectual state of a young man emerging from doubt--and so from self-doubt--into renewed confidence in his poetic calling.
The Lost Steps (Les Pas perdus) is Andri Breton's first collection of critical and polemical essays. Composed between 1917 and 1923, these pieces trace his evolution during the years when he was emerging as a central figure in French (and European) intellectual life. They chronicle his tumultuous passage through the Dada movement, proclaim his explosive views on Modernism and its heroes, and herald the emergence of Surrealism itself. Along the way, we are given Breton's serious commentaries on his Modernist predecessors, Guillaume Apollinaire and Alfred Jarry, followed by his not-so-serious Dada manifestoes. Also included are portraits of Marcel Duchamp, Francis Picabia, and Breton's mysteri...
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
This collection documents the extensive participation of people of African descent in the international surrealist movement over the past 75 years.