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Accompanies an exhibition of paintings, sculptures, drawings and prints from Edward R Broida's gift to the Museum of 175 works from his collection. Dating from the 1960s, the works represent a total of thirty-eight European and American artists, whose work is reproduced here.
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It's been several months since Simon Inescort had a heart attack and keeled over the rail of a Nova Scotia-bound ferry. His widow, Lorca Pell, sold their farmhouse to newlyweds Zachary and Muriel after revealing that the deed contains a 'ghost clause, ' an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home, replaying his marriage in his own mind, while also engaging in occasionally intimate observation of the new homeowners. When a child goes missing the Green Mountain Agency assigns Zachary, their rookie detective, but the case threatens the couple's domestic equilibrium. -- adapted from jacket
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
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DIVA collection of writings from the influential feminist art journal M/E/A/N/I/N/G, with a forward by Johanna Drucker./div
"Painting is a Supreme Fiction presents the writings of artist and poet Jesse Murry (1948-1993), an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience"--