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The Cult of Happiness
History and art come together in this definitive discussion of the Chinese woodblock print form of nianhua, literally "New Year pictures." James Flath analyzes the role of nianhua in the home and later in the theatre and relates these artworks to the social, cultural, and political milieu of North China as it was between the late Qing dynasty and the early 1950s. Among the first studies in any field to treat folk art as historical text, this extraordinary account offers original insight into popular conceptions of domesticity, morality, gender, society, modernity, and the transformation of the genre as a propaganda tool under communism.
Traces of the Sage
The Temple of Confucius (Kong Temple) in Qufu is the definitive monument to the world's greatest sage. From its humble origins deep in China's past, the home of Confucius grew in size and stature under the auspices of almost every major dynasty until it was the largest and most richly endowed temple in the Ming and Qing empires. The decline of state-sponsored ritualism in the twentieth century triggered a profound identity crisis for the temple and its worshipers, yet the fragile relic survived decades of neglect, war, and revolution and is now recognized as a national treasure and a World Heritage Site. Traces of the Sage is the first comprehensive account of the history and material cultur...
Beyond Suffering
China was afflicted by a brutal succession of conflicts through much of the nineteenth and twentieth centuries. Yet there has never been clear understanding of how wartime suffering has defined the nation and shaped its people. In Beyond Suffering, a distinguished group of Chinese historians draws on often fragmentary accounts of nearly forgotten incidents to piece together the multiple fronts – social, institutional, and cultural – on which wars have been fought, experienced, and remembered. From the Blagoveshchensk Massacre to the trials of the Jiangxi Number One Children’s Home, these accounts of war-inflicted suffering bring us closer to understanding war and militarism in China.
The Cult of Happiness
!DOCTYPE html PUBLIC "-//W3C//DTD HTML 3.2//EN" meta name="generator" content="HTML Tidy, see www.w3.org" History and art come together in this definitive discussion of the Chinese woodblock print form of nianhua, literally "New Year pictures." James Flath analyzes the role of nianhua in the home and later in the theatre and relates these artworks to the social, cultural, and political milieu of North China as it was between the late Qing dynasty and the early 1950s. Among the first studies in any field to treat folk art as historical text, this extraordinary account offers original insight into popular conceptions of domesticity, morality, gender, society, modernity, and the transformation of the genre as a propaganda tool under communism.
Some Did it for Civilisation, Some Did it for Their Country
This book marks a total departure from previous studies of the Boxer War. It evaluates the way the war was perceived and portrayed at the time by the mass media. As such the book offers insights to a wider audience than that of sinologists or Chinese historians. The important distinction made by the author is between image makers and eyewitnesses. Whole categories of powerful image makers, both Chinese and foreign, never saw anything of the Boxer War but were responsible for disseminating images of that war to millions of people in China and throughout the world.
Exhibiting the Past
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, a...
The Party Family
The Party Family explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60).
The Aura of Confucius
This groundbreaking study highlights the importance of images within Confucianism and to a shrine-tomb for Confucius's buried robe and cap.
