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William Harrison Ainsworth, a prolific writer now as obscure as he once was famous, reinvented the gothic novel in an English setting, a radical re-write of Scott's model of the historical romance and an antecedent of the contemporary urban gothic of Dickens and Reynolds. This study examines Ainsworth's literary career from a writer of magazine tales of terror in the 1820s to the massive influence of his gothic/Newgate romance of 1834, Rookwood; his friendships with Lamb, Lockhart, and Dickens; his fall from literary grace during the Newgate controversy (a moral panic engendered by the supposedly pernicious effects of cheap, theatrical adaptations of Ainsworth's underworld romance Jack Shepp...
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William Harrison Ainsworth (1805 - 1882) is probably the most successful 19th Century writer that most people haven't heard of. Journalist, essayist, poet and, most of all, historical novelist, Ainsworth was a member of the early-Victorian publishing elite, and Charles Dickens's only serious commercial rival until the late-1840s, his novels Rookwood and Jack Shepherd beginning a fashion for tales of Georgian highwaymen and establishing the legend of Dick Turpin firmly in the National Myth. He was in the Dickens' circle before it was the Dickens' circle and counted among his friends the literary lions of his age: men like Charles Lamb, J.G. Lockhart, Leigh Hunt, W.M. Thackeray and, of course,...
""Wealth, Power, and Inequality" provides an overview of classic theories of social inequality, and links these theories to contemporary issues such as racism, sexism, discrimination, and wealth and educational disparities. The book is a compilation of some of the greatest works on the topic by writers including Karl Marx, Max Weber, Kingsley Davis, Daniel Chambliss, and Vincent Roscigno. Each primary source selection is accompanied by an original essay which helps to synthesize the set of readings, and demonstrate their relevance to today's world. Readers will explore critiques of modern life, principles of social stratification, structural interpretations of racism, and gender as structure...