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The Art of James Davis
This is a study of a visionary painter who uses a rich visual language unlike any other. Davis was born in Sydney and studied at The National Art School and Julian Ashton's School of Fine Art. Now back in Melbourne, Davis continues to paint art that expresses social comment and conscience, as well as garden paintings, now, in a surreal manner.
American Liturgy
How can celebrating the “holy days” of American culture help us to understand what it means to be both Christian and American? In timely essays on Super Bowl Sunday, Mother’s Day, Independence Day, Thanksgiving, and other holidays of the secular calendar, James Calvin Davis explores the wisdom that Christian tradition brings to our sense of American identity, as well as the ways in which American culture might prompt us to discern the imperatives of faith in new ways. Rather than demonizing culture or naively baptizing it, Davis models a bidirectional mode of reflection, where faith convictions and cultural values converse with and critique one another. Focusing on topics like politics, race, parenting, music, and sports, these essays remind us that culture is as much human accomplishment and gift as it is a challenge to Christian values, and there is insight to be discovered in a theologically astute investment in America’s “holy days.”
The Music History Classroom
The Music History Classroom brings together essays written by recognized and experienced teachers to assist in the design, implementation, and revision of college-level music history courses. This includes the traditional music history survey for music majors, but the materials presented here are applicable to other music history courses for music majors and general education students alike, including period classes, composer or repertory courses, and special topics classes and seminars. The authors bring current thought on the scholarship of teaching and learning together with practical experience into the unique environment of the music history classroom. While many of the issues confronti...
Sedated
A provocative and shocking look at how western society is misunderstanding and mistreating mental illness. Perfect for fans of Empire of Pain and Dope Sick. In Britain alone, more than 20% of the adult population take a psychiatric drug in any one year. This is an increase of over 500% since 1980 and the numbers continue to grow. Yet, despite this prescription epidemic, levels of mental illness of all types have actually increased in number and severity. Using a wealth of studies, interviews with experts, and detailed analysis, Dr James Davies argues that this is because we have fundamentally mischaracterised the problem. Rather than viewing most mental distress as an understandable reaction to wider societal problems, we have embraced a medical model which situates the problem solely within the sufferer and their brain. Urgent and persuasive, Sedated systematically examines why this individualistic view of mental illness has been promoted by successive governments and big business - and why it is so misplaced and dangerous.
Maryland, My Maryland
Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminat...
