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Narrative of a Journey Into Khorasān
James Baillie Fraser left his native Scotland for India in 1813. After a short and unsuccessful stint working in a trading business in Kolkata (Calcutta), in 1815 he joined his brother William Fraser on an expedition to find the sources of the Jumna and Ganges rivers. He documented the trip in Journal of a Tour through Part of the Snowy Range of the Himālā Mountains, published in 1820. A skilled artist who produced sketches and acquatints of different parts of India, in 1821 Fraser accompanied Dr. Andrew Jukes of the East India Company on a diplomatic mission to Persia. Jukes died in Isfahan in late 1821, but Fraser continued the journey, visiting Tehran, Mashhad, Tabriz, and other cities ...
Indian Renaissance
An examination of British artists whose travel to the subcontinent of India influenced the Romantic Movement in England. It also discuss the impact of the images on the culture of Victorian Britain. Artists discussed include James Forbes, James Wales, Tilly Kettle, William Hodges, Johan Zoffany Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Narrative Of A Journey Into Khorasan
Join explorer James Baillie Fraser on an incredible journey into Khorasan, a historical region in Central Asia. This gripping travelogue takes you through rugged terrain, vibrant markets, and encounters with fascinating people. Fraser's writing is as evocative as the landscapes he describes, making this a compelling read for armchair travelers and adventurers alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
TRAVELS IN KOORDISTAN MESOPOTA
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
