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The Garden
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A Foreign and Wicked Institution?
Many in Victorian England harbored deep suspicion of convent life. In addition to looking at anti-Catholicism and the fear of both Anglican and Catholic sisterhoods that were established during the nineteenth century, this work explores the prejudice that existed against women in Victorian England who joined sisterhoods and worked in orphanages and in education and were comitted to social work among the urban poor. Women, according to some of these critics, should remain passive in matters of religion. Nuns, however, did play an important role in many areas of life in nineteenth-century England and faced hostility from many who felt threatened and challenged by members of female religious orders. The accomplishments of the nineteenth-century nuns and the opposition they overcame should serve as both an example and encouragement to all men and women committed to the Gospel.
Britten, Opera and Film
Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations. Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in th...
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The Folk-lore Record
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