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This title looks at the story of African literature and its dissemination in the latter half of the 20th century.
17 June 2008 is the fiftieth anniversary of the publication of Chinua Achebe's Things Fall Apart by Heinemann. This provided the impetus for the foundation of the African Writers Series in 1962 with Chinua Achebe as the Editorial Adviser.'The book is therefore not only the story of a publishing enterprise of great significance; it is also a large part of the story of African literature and its dissemination in the latter half of the twentieth century. The manuscript is full of the drama of that enterprise, the drama of dealing with the mother house, William Heinemann, of dealing with the often intractable political constraints dominating the intellectual space across Africa, and not least of all dealing with the writers themselves - with their ambitions, their temperaments, their financial needs and, at time, their perception of a colonial relationship between themselves and a European publishing house.' - Clive Wake, Emeritus Professor of Modern Languages, University of Kent at Canterbury.
Professor Mazrui, Reith Lecturer and presenter of BBC1's series The Africans, makes us reconsider the realities of power in world politics. Ali Mazrui argues that the emphasis in world politics continues to be on arms, on resources and on strategic calculations and that the importance of culture has been grossly underestimated. Professor Mazrui's own mind is a cultural cross-roads; he can give Islamic insights to Western audiences about The Satanic Verses; he relates the Beijing Spring to the Palestinian Intifada; he compares the effects of Zionism and Apartheid; he puts together Muhammad, Marx and market forces; and he tells the Americans that their attitude to the Third World is a dialogue of the deaf. ALI A. MAZRUI was Director of the Institute of Global Cultural Studies at the State University ofNew York at Binghamton and Senior Scholar in African Studies at Cornell University Kenya: EAEP
The experience of many South Asian and Latin American countries demonstrates that the power of local NGOs can contribute to improving the quality of development services throughout the developing world. Are local NGOs in Africa able to wield power in development? Local NGOs in Africa are lagging behind their counterparts in South Asia and Latin America in terms of developing power. How can African NGOs remedy their absence of power? Local NGOs will have to create their own development space, achieve a degree of financial independence from donors, build solid links to the international development community and have a willingness to engage with the political aspects of development work. Why should donors and international NGOs promote local NGO power? Local NGO power aids NGO sustainability, a common goal of donors, NGOs and beneficiary communities alike. North America: Indiana U Press
"This book presents the first truly rounded portrait of Nyerere's early life, from his birth in 1922 until his graduation from Edinburgh in 1952, helping us to see his later political achievements in a new light. It was after returning to Tanganyika that 'Mwalimu' (the teacher) formally entered politics, and led efforts to deliver Tanganyika to independence."--Publishers website.
A history of Africa from the 16th to the 18th centuries, this study concentrates on the continuing evolution of African states and cultures, the increase in external trade, and the consequences of the slave trade. The series is co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.
Provides the most comprehensive account since the early 1960s of South Africa's "black middle class". 2016 CHOICE Outstanding Academic Title The "rise of the black middle class" is one of the most visible aspects of post-apartheid society in South Africa. Yet while it has been a major actor in the country's democratic reshaping, analysis of its role has been all but lacking. Rather, the image presented by the media has been of "black diamonds", consumers of the products of advanced industrial economies, and of corrupt "tenderpreneurs" who use their political connections to obtain contracts. This book seeks to complicate that picture with a much-needed analysis that recounts its historical development in colonial society prior to 1994, before examining the size, shape andstructure of the new black middle class in contemporary South Africa and its relation to its counterparts in the Global South. Roger Southall is Professor Emeritus in Sociology, University of the Witwatersrand. Southern Africa (South Africa, Namibia, Botswana, Lesotho, Zimbabwe and Swaziland): Jacana
Analysis of the writings of Chinua Achebe aimed at students of literature. Simon Gikandi has set out to reveal '...the very nature of [Achebe's] creativity, its prodigious complexity and richness...its paradoxes and ambiguities. This is scholarship of real stature and supersedes all other studies of Achebe's writing. It comes at a good time. Achebe's literary reputation is equal to that of any living author and a substantial critical canon has been established. - G.D. Killam, Professor of English, University of Guelph Kenya: EAEP
African popular theater includes conventional drama plus such nonliterary performance as dance, mime, storytelling, masquerades, vaudeville, improvization, & the theater of social action & resistance. Media such as radio, film, & television are included.
As its author Professor Mudimbe says: '...this book presents journeys into the multifaceted "idea" of Africa. As approached and circumscribed here, this idea is a product of the West and was conceived and conveyed through conflicting systems of knowledge. North America: Indiana U Press