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James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
The best stories get repackagedand retold over centuries, millenia.Think Angela Carter's masterfulretellings of Little Red Riding Hoodand others in The Bloody Chamber.Think Maxine Hong Kingston'sreworking of Mulan in The WomanWarrior. Think Disney. Now thinkBible, lock the door, kick a bucketof blood, and jump into JimSullivan's way-back machine. Seatbelt on. This is hot damn churchfor smart folks.--Steve Davenport,author ofUncontainable Noise,Overpass, andMurder on Gasoline Lake
Debates over censorship often become debates over the influence of culture on society's morals and the perceived need to protect women and children. Purifying America explores the widespread middle-class advocacy of censorship as a popular reform around the turn of the century and provides a historical perspective on contemporary debates over censorship, morality, and pornography that continue to divide women.
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