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James Abbe
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James Abbe
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James Abbe
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I Photograph Russia
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Shooting Stalin
Although he was a contemporary of Alfred Eisenstaedt and Erich Salomon--and was just as smart and foolhardy--James Abbe is by no means as famous as his legendary colleagues. American-born Abbe published superb photo documentaries featuring Stalin's Moscow, the last years of the Weimar Republic and the battlefields of the Spanish Civil War. Obsessive and fearless, Abbe got close to the dictators of Europe--Hitler, Mussolini, Franco--and in 1932, he was the only American given permission to photograph Stalin. Eventually, photographing world leaders became his specialty. In pursuit of various interests, Abbe made contact with Russian film directors and artists such as Sergej Eisenstein, Dziga Vertov and Vsevolod Meyerhold, indulging his passion for film, theater, dance and, above all, the mysteries of whatever happened backstage. Many of his pictures--portraits of Rudolph Valentino, Mae West, Josephine Baker and Charlie Chaplin--have become icons of modern photography. Others, like his portrait of Thomas Mann, remained unknown until their recent discoveries. Shown here is a cross-section of the rich catalogue of Abbe's work, in more than 300 tritones.
Desert Solitaire
This memoir of life in the American desert by the author of The Monkey Wrench Gang is a nature writing classic on par with Rachel Carson’s Silent Spring. In Desert Solitaire, Edward Abbey recounts his many escapades, adventures, and epiphanies as an Arches National Park ranger outside Moab, Utah. Brimming with arresting insights, impassioned arguments for wilderness conservation, and a raconteur’s wit, it is one of Abbey’s most critically acclaimed works. Through stories and philosophical musings, Abbey reflects on the condition of our remaining wilderness, the future of a civilization, and his own internal struggle with morality. As the world continues its rapid development, Abbey’s cry to maintain the natural beauty of the West remains just as relevant today as when this book first appeared in 1968.
Limelight
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Encyclopedia of Nineteenth-Century Photography
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Research Handbook on Intellectual Property and Creative Industries
The creative industries are becoming of increasing importance from economic, cultural, and social perspectives. This Handbook explores the relationship, whether positive or negative, between creative industries and intellectual property (IP) rights.
The Greek Girl's Story
With The Greek Girl’s Story, Alan Singerman presents the first reliable, stand-alone translation and critical edition of Abbé Prévost’s 1740 literary masterpiece Histoire d’une Grecque moderne. The text of this new English translation is based on Singerman’s 1990 French edition, which Jonathan Walsh called “arguably the most valuable critical edition” of Prévost’s novel to date. This new edition also includes a complete critical apparatus comprising a substantial introduction, notes, appendixes, and bibliography, all significantly updated from the 1990 French edition, taking into account recent scholarship on this work and providing some additional reflection on the question...
