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Audrey Hepburn
During her lifetime , the Belgian - born British actress Audrey Hepburn (1929 - 93), star of such films as Roman Holiday , Sabrina , Funny Face , Breakfast at Tiffany's, My Fair Lady , Charade and Two for the Road , was recognised around the world. Posthumously, her popula rity has endured and her image continues to be reproduced in a variety of international cultural contexts. Unlike other collections, in this new book the authors call attention to the circumstances in which pictures of Hepburn were published and consumed, thereby illuminating more generally our changing relationship with such images over the course of the twentieth century. Hepburn's career is charted through over 145 port...
Dorothy Wilding
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Man Ray Portraits
Published to accompany an exhibition held Feb. 7-May 27, 2013, at the National Portrait Gallery, London; June 22-Sept. 8, 2013, at the Scottish National Portrait Gallery, Edinburgh; Oct. 28, 2013-January 19, 2014, at the Pushkin Museum of Fine Arts, Moscow.
Beaton Portraits
Presents a catalog to accompany the exhibition of Cecil Beaton's portraits.
Horst
This work celebrates the extraordinary portraits created by one of the great master photographers of the 20th century. In a style that personifies glamour and high fashion, Horst P. Horst's photographs conduct the viewer into a world of painters, writers, musicians, designers and royalty.
Sgt. Pepper and the Beatles
The first concept album in the history of popular music, the soundtrack of the Summer of Love or 'Hippy Symphony No. 1': Sgt. Pepper's Lonely Hearts Club Band is first and foremost the album that gave rise to 'hopes of progress in pop music' (The Times, 29 May 1967). Sgt. Pepper and the Beatles commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective. These issues include: reception by rock critics and musicians, the cover, lyrics, songwriting, formal unity, the influence of non-European music and art music, connections with psychedelia and, more generally, the sociocultural context of the 1960s, production, sound engineering and musicological significance. The contributors are world renowned for their work on the Beatles: they examine Sgt. Pepper from the angle of disciplines such as musicology, ethnomusicology, history, sociology, literature, social psychology and cultural theory.
Beatles to Bowie
This work features the leading personalities that helped create the legend of 'Swinging London', arguably the most significant city of cultural creativity in the world. It illustrates how different photographers explored new creative opportunities and outlets and had a major impact on how British musicians were seen and understood.
Dirt
Delve Into the Fascinating World of Dirt Dirt is a matter of opinion, according to public health and hygiene authority Terence McLaughli. In this engaging, thoroughly-researched, and often humorous study of the “imperfections” of human existence and our relationship to them, McClaughlin dissects human attitudes about the slime, mud, stench and filth which has accompanied society through history. Our notion of cleanliness has a marked cultural aspect. For instance, McLaughlin cites Old Testament examples of cleanliness which, unbeknownst at the time, helped protect observant followers from the plague. The famous baths of ancient Rome were seen as progress for personal hygiene, and later s...
Lewis Morley
Lewis Morley is called "The Man Who Shot the Sixties," and this collection of his black-and-white photography shows why. Dudley Moore, Charlotte Rampling, Brian Epstein, Franois Truffaut: the decade is here, in the style that earned Morley a place among the century's most adept chroniclers. A series of nude portraits of actress Christine Keeler, taken at the height of the scandal that brought down British MP John Profumo, is as much history as art. "I always seem to have been in the right place at the right time," says the photographer. In a career that spanned fashion layouts, advertising, and celebrity portraits, Morley's favorite assignments were for magazines, because of the spontaneity involved. "I like magazine work because it's quick and it's urgent so it relies on an emotional response to a subject, rather than in advertising where everything is minutely planned and you spend more time in meetings than taking photographs," he recalls. His feelings show in street scenes that recall Cartier-Bresson.
The Oxford Critical and Cultural History of Modernist Magazines
This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.
