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Come Into the Light is an illustrated handbook for understanding the architecture of a church and the arrangement of its interior for the celebration of the liturgy. It offers great practical wisdom to all Christian communities as they reflect on their liturgy and on the buildings in which God is made present daily in ritual and symbol. This book aims to build an understanding of the constituent features of church buildings, the role they have in worship and the spirit with which they are imbued, so that all who enter today’s sacred spaces may find the authentic presence of the living God. Those who read, preach, preside or in any way take part in worship will find great practical inspiration here. This volume includes articles that have appeared over the last five years in the regular Parish Practice feature in 'The Tablet' magazine.
Are you puzzled by the nature and system of Aidan Nicholss theological contribution? Are you looking for a way to renew your appreciation for Nicholss theological activity? Do you want to clarify your understanding of Nicholss anthropological view? Father Engoulou Paul discusses these and many others interesting matters in this book. He carefully analyzes the different layers on which Nichols posits his philosophical and theological principles of order. He explains historically each foundational step from which Nichols draws his public doctrine of man and God. He arrives at the conclusion that man arrives at a self-knowledge and the knowledge of God, to the extent that he makes use of practical, liturgical, and rational concepts and forms embedded in Philosophy, theology, and visual art. Designed to be primarily a scholarly treatment of Gods evidences into personal, communal nature of man, and the meaning of his life-work, this book is also a critical treatment of secularism and its attendants: liberalism, relativism and positivism.
Christian worship is always undergoing change as it adapts to particular contexts and concerns. This collection of essays explores ways: 1) that liturgical change happened to address particular historical and theological concerns; 2) that worship and preaching are currently undergoing transition; and 3) that aspects of worship are in need of transformation in order to address primary issues of our time with a focus on environmental and ecological concerns. Spacial attention is paid to the role of the Sacraments and to preaching with an emphasis on the need to connect worship with daily life. These essays show readers ways that liturgical renewal worked in the past as well as offer a persuasive case for continual renewal that responds to key issues in our contemporary lives.
Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgi...
This volume offers a new, synthetic overview of the structure and ritual shape of the Roman Mass from its formative period in late antiquity to its post-Tridentine standarisation. Starting with the Last Supper and the origins of the Eucharist, Uwe Michael Lang constructs a narrative that explores the intense religious, social, and cultural transformations that shaped the Roman Mass. Lang unites classical liturgical history with insights from a variety of other disciplines that have drawn attention to the ritual performance and reception of the mass. He also presents liturgical developments within the broader historical and theological contexts that affected the celebration and experience of the sacramental rite that is still at the heart of Catholic Christianity. Aimed at scholars from a broad swathe of subjects, including religious studies, history, art history, literature, and music, Lang's volume serves as a comprehensive history of the Roman Mass over the course of a millenium.
The Dialogue of Love is written from the perspective of an evangelical Catholic Ecumenist. Raised Catholic, but having responded to the Gospel at L'Abri Fellowship in 1970, Eduardo J. Echeverria's journey took the paths of Reformed and then Anglo-Catholic Christianity on his way back to full communion with the Catholic Church in 1992. Engaging in ecumenical conversation as a committed Roman Catholic whose views have been shaped by, among others, Romano Guardini, John Paul II, and Joseph Ratzinger (Benedict XVI), the author discusses in an articulate, bracing, and constructive manner, the positions of representative thinkers in the Dutch neo-Calvinist tradition of Reformed Christianity: Herman Bavinck, G. C. Berkouwer, and Herman Dooyeweerd. Fundamental issues of ecclesiology, meaning and truth, sacramental theology, the relation between the Church and the world, nature and grace, and issues on the relation of faith and reason are examined with the aim of achieving clarification and understanding. Readers will experience ecumenical "Dialogue . . . not simply [as] an exchange of ideas," but also as "an 'exchange of gifts'," indeed, "a dialogue of love" (John Paul II).
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This book brings together a wide range of understandings of the liturgy grounded in doctrinal and spiritual theology, history, philosophy, and liturgical studies.
This book calls attention to the importance of scholarly reflection on the writing of liturgical history. The essays not only probe the impact of important shifts in historiography but also present new scholarship that promises to reconfigure some of the established images of liturgy's past. Based on papers presented at the 2014 Yale Institute of Sacred Music Liturgy Conference, Liturgy's Imagined Past/s seeks to invigorate discussion of methodologies and materials in contemporary writings on liturgy's pasts and to resource such writing at a point in time when formidable questions are being posed about the way in which historians construct the object of their inquiry.