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Perfect Cities
IllustrationsPreface1. Itineraries2. Chicago: Two Profiles3. Approaches: Discovery from a Distance4. First City: Form and Fantasy5. Second City: Our Town6. Third City: The Evangelical Metropolis7. Exit: The Gray CityNotesIndex Copyright © Libri GmbH. All rights reserved.
Men in the Middle
While the 1950s have been popularly portrayed-on television and in the movies and literature-as a conformist and conservative age, the decade is better understood as a revolutionary time for politics, economy, mass media, and family life. Magazines, films, newspapers, and television of the day scrutinized every aspect of this changing society, paying special attention to the lifestyles of the middle-class men and their families who were moving to the suburbs newly springing up outside American cities. Much of this attention focused on issues of masculinity, both to enforce accepted ideas and to understand serious departures from the norm. Neither a period of "male crisis" nor yet a time of f...
The Great Planes
Filled with air-to air color photographs, this book shows a pilot's choice of the most spectacular, most significant, and best-flying aircraft in the history of aircraft.
A Cycle of Outrage
The youth culture is on everyone's lips today, as pressures build to ban controversial song lyrics, reintroduce school prayer, and prohibit teenagers' access to contraceptives. It's not the first time Americans have been outraged over the seuction of the innocent.. When James Dean and Marlon Brando donned their motorcycle jackets and adopted alienated poses in Rebel Without a Cause, East of Eden, and The Wild One, in the 1950's, so did countless numbers of American teenagers. Or so it seemed to their parents. American teenagers were looking and acting like juvenile delinquents. By mid-decade, the nation had reached a pitch of near obsession with the harmful effects of film, radio, comic book...
Redeeming Culture
In this intriguing history, James Gilbert examines the confrontation between modern science and religion as these disparate, sometimes hostile modes of thought clashed in the arena of American culture. Beginning in 1925 with the infamous Scopes trial, Gilbert traces nearly forty years of competing attitudes toward science and religion. "Anyone seriously interested in the history of current controversies involving religion and science will find Gilbert's book invaluable."—Peter J. Causton, Boston Book Review "Redeeming Culture provides some fascinating background for understanding the interactions of science and religion in the United States. . . . Intriguing pictures of some of the highlights in this cultural exchange."—George Marsden, Nature "A solid and entertaining account of the obstacles to mutual understanding that science and religion are now warily overcoming."—Catholic News Service "[An] always fascinating look at the conversation between religion and science in America."—Publishers Weekly
World War I and the Origins of U.S. Military Intelligence
In World War I and the Origins of U.S. Military Intelligence, military historian James L. Gilbert provides an authoritative overview of the birth of modern Army intelligence. Following the natural division of the intelligence war, which was fought on both the home front and overseas, Gilbert traces the development and use of intelligence and counterintelligence through the eyes of their principal architects: General Dennis E. Nolan and Colonel Ralph Van Deman. Gilbert explores how on the home front, US Army counterintelligence faced both internal and external threats that began with the Army’s growing concerns over the loyalty of resident aliens who were being drafted into the ranks and so...
Whose Fair?
The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event? Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.
Accounts and Papers
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Zona Romantica
When Amanda Pennyworth began her assignment as American Consul in the beautiful resort city of Puerto Vallarta, Mexico, she had no inkling she would be called upon to solve the mysterious disappearance of a famous expat writer. However, when he vanishes--the victim of a kidnapping--Amanda is drawn into the desperate search to save his life. Negotiating the competing layers of Mexican police: the Federales, the local constabulary, and the tourist police, she is pulled deeper into what she realizes too late is a cunning and deadly plot.
