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Designed to serve the basic needs of literary researchers of all degrees of sophistication, this book updates and expands on the author's previous work by the same title. Focusing on the most important and useful resources for modern researchers and students of English literature, Bracken identifies and describes a substantial portion of the currently available reference sources in British and American literature-dictionaries, encyclopedias, handbooks, periodicals, and so forth-with more than 1,500 resources on individual writers. Descriptive annotations offer thorough and detailed assessments of the works, noting specific features and often comparing them to similar titles. Numerous cross-references are given. A valuable research tool for students and scholars, this text will also be useful to bibliographic instructors and collection development specialists.
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Physicians, health researchers, and nurses make extensive use of focus groups. Thus, researchers and readers need access to the realm of applications of focus group methodology in the wide variety of medical and health sciences. In this second installment of a two-volume examination of ten recent years (1998-2007) of focus group studies and research literature, author Graham R. Walden turns his attention from the arts, humanities, and non-medical sciences to the medical and health sciences, concentrating on a broad range of studies in books, book chapters, and journal articles that are available in English. Focus Groups, Volume II: A Selective Annotated Bibliography: Medical and Health Scien...
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of tex...
Though printer Richard Tottel’s Songes and Sonettes (1557) remains the most influential poetic collection printed in the sixteenth century, the compiliation has long been ignored or misundertood by scholars of early modern English culture. Embracing a broad range of critical and historical perspectives, the eight essays within this volume offer the first sustained analysis of the many ways that consumers read and understood Songes and Sonettes as an anthology over the course of the early modern period. Copied by a monarch, set to music, sung, carried overseas, studied, appropriated, rejected, edited by consumers, transferred to manuscript, and gifted by Shakespeare, this muti-author verse ...
A sequel to Tomita's A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume supplements the data for the succeeding forty years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through the publication histories of Italian books printed in England.
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The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been...
This book offers something new, a full-length study of printing Anglo-Saxon (Old English) from 1566 to 1705, combining analysis of content and form of production. It starts from the end-product and addresses the practical issues of providing for printing Anglo-Saxon authentically, and why this was done. The book tells a story that is largely Cambridge-orientated until Oxford made an impact, largely thanks to Franciscus Junius from Leiden. There is a catalogue of all books containing Anglo-Saxon, with full details of their use of manuscript or printed sources. This information allows us to see how knowledge of Anglo-Saxon grew and developed.
This collection of nine original essays, is a major study of the 1616 Folio as a work of art, as a turning point in Jonson's career, and as an unprecedented event in English letters and printing.