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Damned to Fame: the Life of Samuel Beckett
_______________ 'A triumph of scholarship and sympathy... one of the great post-war biographies' - Independent 'A landmark in scholarly criticism... Knowlson is the world's largest Beckett scholar. His life is right up there with George Painter's Proust and Richard Ellmann's Joyce in sensitivity and fascination' - Daily Telegraph 'It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives' - Evening Standard _______________ SHORTLISTED FOR THE WHITBREAD PRIZE _______________ Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Co...
Images of Beckett
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.
Beckett Remembering/Remembering Beckett
In life, Beckett was notoriously reticent, preferring to let his work speak for itself. In the first half of this collection, he reveals many of his inner thoughts and honest opinions about his life, writing, friends, and colleagues in candid interviews published for the first time in this book. He discusses his friendship with James Joyce and his role in the Resistance during the Nazi occupation of France. Also included are newly discovered photographs of Beckett—as a young boy, as a teacher, as best man at a friend’s wedding, and with painter Henri Hayden. In the second half, friends and colleagues share their memories of Beckett as a schoolboy, a teacher, a struggling young writer, and a sudden success in 1953 with the appearance of Waiting for Godot. Readers will be enchanted by the poignant remembrances by those who knew him best, worked with him most closely, or admired him for his enduring influence: including actors Hume Cronyn, Jean Martin, Jessica Tandy, and Billie Whitelaw and fellow playwrights and authors Edward Albee, Paul Auster, E. M. Cioran, J. M. Coetzee, Eugène Ionesco, Edna O’Brien, and Tom Stoppard.
Beckett Remembering, Remembering Beckett
Samuel Beckett was one of the towering figures of twentieth-century literature; he was also famously reclusive. Here, in these intimate interviews conducted by his biographer, James Knowlson, Beckett and his family, friends and contemporaries reveal more of the human side of the writer than we have ever seen before. In the first part of the book Beckett talks about his family, his early youth, his friendship with James Joyce and his Resistance work in Paris during the war, when he was forced to flee from the Gestapo and live out the remaining war years in the Vaucluse region of Southern France. In the second part, some of Beckett's closest friends remember him as a schoolboy, as a struggling writer, and then as an international success in the 1950s with his novels and plays, including the world-famous Waiting For Godot. Among the contributors are actors he worked with, including Billie Whitelaw, Brenda Bruce and Jean Martin, and writers who felt the impact of his achievement, including Edward Albee, Paul Auster, J. M. Coetzee and Aiden Higgins. Beautifully designed and illustrated throughout, the book contains wonderful insights into Beckett's world.
Universal language schemes in England and France 1600-1800
For centuries Latin served as an international language for scholars in Europe. Yet as early as the first half of the seventeenth century, scholars, philosophers, and scientists were beginning to turn their attention to the possibility of formulating a totally new universal language. This wide-ranging book focuses upon the role that it was thought an ideal, universal, constructed language would play in the advancement of learning. The first section examines seventeenth-century attempts to establish a universal 'common writing' or, as Bishop Wilkins called it, a 'real character and philosophical language.' This movement involved or interested scientists and philosophers as distinguished as De...
Beckett and Modernism
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.
Beckett Remembering, Remembering Beckett
Samuel Beckett, one of the towering figures of twentieth-century literature, was also famously reclusive. In these intimate interviews conducted by his biographer, James Knowlson, Beckett and his family, friends and contemporaries reveal more of the writer's human side than ever before. Beckett himself talks of his early youth, his friendship with James Joyce and his Resistance work in Paris during the Second World War. Some of his closest friends remember him both as a schoolboy and struggling young writer, while his students at Trinity College, Dublin give their opinions of him as a lecturer. Esteemed actors, writers and directors, including Billie Whitelaw, Edward Albee and J. M. Coetzee, remember Beckett at the time of his international success. The result is a vivid collection of first-hand experiences, a tribute to a remarkable novelist, poet and dramatist.
Samuel Beckett
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
Happy Days
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