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The Ghosts of the Avant-Garde(s)
Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
Restaging the Sixties
A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance
Cutting Performances
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
Not the Other Avant-Garde
Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. ...
Contours of the Theatrical Avant-garde
A critical history of avant-garde performance and the problematic relationship of text to performance
Babylon and the Brethren
This book is a history of the Whore of Babylon image found in the book of Revelation, with an emphasis upon the use and influence of the text on the Brethren of the nineteenth century. The Brethren developed a multi-layered exegesis of the text, using Babylon as a form of vituperative rhetoric through which to vilify all other Christians in order to define their own religious identity. Those with divergent doctrinal beliefs belonged to an epistemological Babylon; those polluted by the world belonged to secular Babylon. Babylon was contagious! It is from the pens of these writers that the Secret Rapture of the Church doctrine developed as a biological "fight or flight" response, and a psychol...
Hard Cuddles
This is the graphic, authentic and often humorous autobiography of a young man's journey into Melbourne's underworld and nightclub scene in the recent past. 'The Hammer' was a feared enforcer capable of inflicting indescribable pain on anyone that stood in has way. Supreme violence and a manipulative calculating streak were tools of the trade. This story gives the reader a rare insight into addiction, the dark art of violence and ego involved in the world of a drug dealer, debt collector and stand over man in Melbourne's underworld scene. An embracing family background and unwavering ability to believe he was destined for redemption allowed 'The Hammer' to claw his way back from the darkness and use his hard-earned experience to assist men to break the cycle of addiction and crime and re-discover their own power and spirit. Nice work mate! Proud of you and glad to call you my friend. - Trevor Hendy AM
Alpha Dogs
David Sawyer dreamed of a career as a film-maker; Scott Miller, the son of a shoe salesman, was a brilliant copywriter. Unlikely partners, together they became a political powerhouse. Directing democratic revolutions from the Philippines to Chile, steering a dozen presidents and prime ministers into office, and instilling the campaign ethic in corporate giants from Coca-Cola to Apple, the consultants of Sawyer-Miller were the Manhattan Project of spin politics. In this pulsating book, James Harding tells the story of a few men whose political savvy, entrepreneurial drive and sheer greed came to alter the landscape of global politics. Alpha Dogs charts the creation of a new style of political campaigning and its triumph across the world.
Harding's Lessons on Drawing
Previously published: Lessons on art. London: Day and Son, ca. 1860.
World Ocean Census
An insider's description of the comprehensive Census of Marine Life and what it reveals about a seriously threatened ecosystem.
