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Hoffman
Series Editors: Bernth Lindfors, University of Texas at Austin; Robert Lecker, McGill University; David OConnell, Georgia State University; David William Foster, Arizona State University; Janet Pérez, Texas Tech University.TWAYNES UNITED STATES AUTHORS, ENGLISH AUTHORS, and WORLD AUTHORS Series present concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volume addresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading the Authors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.
The Brothers Grimm and Folktale
"Some of the best folklore and Grimm scholars from Europe and the U.S. combined to give an excellent overview of the scholarly research and current critical thought regarding Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The book is directed to the general educated public and is very readable." -- Choice
Wagner's Operas and Desire
An analysis of the role of eroticism--including the incestuous variety. McGlathery (German and comparative literature, U. of Illinois-Urbana) brings a broader psychological approach than psychoanalytic theory to this typically auxiliary realm of Wagnerian criticism of the ten operas: those classified as the romantic operas (The Flying Dutchman, Tannhauser, and Lohengrin); The Ring of the Nibelung; and the later ones (Tristan and Isolde, The Mastersingers of Nuremberg, and Parsifal). Annotation copyrighted by Book News, Inc., Portland, OR
Music and German Literature
The relationship between music and literature is emerging as one of the prominently discussed subjects among literary scholars and musicologists. This volume brings together the scholarly fields of musicology and German literature. Among the areas of research discussed are the study of opera libretti, the history of poetry set to music, metaphorical references to music, and writers' contributions to the formulation of our view of music in the modern period. The present volume is especially valuable as a contribution to our understanding of the relationship of German music and culture because German composers have tended to select products of their own linguistic culture to set to music. And in German literature, more than in any other, music has represented a poetic theme of major significance in the works of many of its best writers.
Desire's Sway
In Desire's Sway, James M. McGlathery investigates the role of suppressed sexual desire in the works of the important German author Heinrich von Kleist. In contrast to the past hundred years of Kleist criticism, which has been predominately from the standpoints of ideology, moral philosophy, and abstract thought, McGlathery views Kleist as a subtly ironic humorist. Desire's Sway is a study of Kleist's plays and stories as written in the spirit of the older comic traditions of Lustspiel and commedia dell'arte. Belatedly acknowledged as one of Germany's greatest writers, Kleist has previously been regarded by critics, especially the existentialists, as a deeply troubled writer whose works are expressions of a tragic view of man's destiny in an incomprehensible world. McGlathery provides a well-documented argument that Kleist is not the enigmatic, problematical genius he is often portrayed to be but rather a lighthearted cultivator of the traditions of romantic comedy. The introduction serves as a guide to the various critical assessments of Kleist, and the notes and bibliography supply broad and detailed reference to secondary sources.
Mysticism and Sexuality, E.T.A. Hoffmann: Interpretations of the tales
This study aims to show that Hoffmann drew on his own psychic experiences relevant to sexuality, and that he also was writing in a broad literary tradition of roguish sexual humor and ironic portrayal of the psychology of desire that had survived to his time in opera buffa and comic theater generally, as well as in certain vestiges of the eighteenth-century conte licencieux. In this second volume the perspectives developed in Part One: Hoffmann and His Sources are used to provide new readings of each of Hoffmann's four-dozen tales and of his two novels.
Mysticism and Sexuality, E.T.A. Hoffmann: Hoffmann and his sources
This study aims to show that Hoffmann drew on his own psychic experiences relevant to sexuality, and that he also was writing in a broad literary tradition of roguish sexual humor and ironic portrayal of the psychology of desire that had survived to his time in «opera buffa» and comic theater generally, as well as in certain vestiges of the eighteenth-century «conte licencieux». (In a second volume, «Part Two: Interpretations of the Tales», this perspective will be used to provide new readings of each of Hoffmann's four-dozen tales and of his two novels.)
The Owl, the Raven & the Dove
This study takes five of the Grimm brothers' best-known tales and argues that the Grimms saw them as Christian fables. The author examines the arguments of previous interpreters of the tales, and demonstrates how they missed the Grimms' intention.
