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James Merrill
None
A Whole World
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • The selected correspondence of the brilliant poet, one of the twentieth century's last great letter writers. "I don't keep a journal, not after the first week," James Merrill asserted in a letter while on a trip around the world. "Letters have got to bear all the burden." A vivacious correspondent, whether abroad, where avid curiosity and fond memory frequently took him, or at home, he wrote eagerly and often, to family and lifelong friends, American and Greek lovers, confidants in literature and art about everything that mattered—aesthetics, opera and painting, housekeeping and cooking, the comedy of social life, the mysteries of the Ouija boa...
James Merrill
"A biography of the acclaimed poet James Merrill"--
The Changing Light at Sandover
Mystical poems explore the author's experiences communicating with a spirit named Ephraim through an Ouija board
Familiar Spirits
Among the results of this intense preoccupation with the occult were a book-length poem, which some critics have called a masterpiece, and the possible destruction of several lives.".
Selected Poems of James Merrill
This volume brings together the best of Merrill—and dazzles at every turn. This balanced and compact selection will be an ideal introduction to his work for both students and general readers, and an instant favorite among his familiars. James Merrill himself once called his body of work “chronicles of love and loss,” and in twenty books written over four decades he used the details of his own life—comic and haunting, exotic and domestic—to shape a portrait that in turn mirrored the image of our world and our moment. Includes poems from the domestic rupture of “The Broken Home” to the universal connections of “Lost in Translation”; from the American storyteller of “The Summer People” to the ecologically motivated satirist of “Self-Portrait in a TyvekTM Windbreaker.” Log Then when the flame forked like a sudden path I gasped and stumbled, and was less. Density pulsing upward, gauze of ash, Dear light along the way to nothingness, What could be made of you but light, and this?
The Book of Ephraim
For the first time in a stand-alone edition, the acclaimed poet's classic poem about his communication with Ephraim, a guiding spirit in the Other World, is here introduced and annotated by poet and Merrill scholar Stephen Yenser. "The Book of Ephraim," which first appeared as the final poem in James Merrill's Pulitzer-winning volume Divine Comedies (1976), tells the story of how he and his partner David Jackson (JM and DJ as they came to be known) embarked on their experiments with the Ouija board and how they conversed after a fashion with great writers and thinkers of the past, especially in regard to the state of the increasingly imperiled planet Earth. One of the most ambitious long poems in in English in the twentieth century, originally conceived as complete in itself, it was to become the first part of Merrill's epic The Changing Light at Sandover (1982), the multiple prize-winning volume still in print. Merrill's "supreme tribute to the web of the world and the convergence of means and meanings everywhere within it" is introduced and annotated by one of his literary executors, Stephen Yenser, in a volume that will gratify veteran readers and entice new ones.
James Merrill Poems
"James Merrill once called his body of work "chronicles of love and loss," and in twenty books written over four decades he used the details of his own life--comic and haunting, exotic and domestic--to shape a portrait that in turn mirrored the image of our world and our moment. Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways--ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler wrote of Merrill, "He has become one of our indispensable poets." This volume brings together an entirely new pocket-sized selection of the best of Merrill's work."
James Merrill's Poetic Quest
Relatively little critical attention has been directed towards the explication of James Merrill's difficult poems, much less towards the understanding of his densely-layered symbolism. This is the first comprehensive study to look at Merrill's difficult symbolic system and to provide a close reading of Merrill's epic poem The Changing Light at Sandover. Adams reads Merrill's poetry through various lenses, primarily those of Freudian psychology and of the Jungian archetypal system. His approach allows the reader to view individual works as part of the larger picture of Merrill's quest to save his life through his art.
James Merrill's Apocalypse
"Materer interprets Merrill's body of work from the perspective of his epic The Changing Light at Sandover and shows that in his earliest poems and in the volumes preceding The Changing Light, Merrill repeatedly expressed his fear of nuclear holocaust and his sense that some momentous revelation was near at hand. Materer demonstrates how apocalyptic motifs also inspire Late Settings, The Inner Room, and A Scattering of Salts."--BOOK JACKET.
