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Henry V
An examination of the profound changes that 20th-century performance has wrought on Shakespeare's complex drama of war and politics, "Henry V". It considers the play's political significance in Elizabethan London and provides analyses of several important modern productions.
Marlowe: Doctor Faustus
This introductory guide to one of Marlowe's most widely-studied plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of screen adaptations, and a wide sampling of critical opinion and further reading.
Henry IV
This engaging double-volume Handbook explores the Henry IV plays as texts for performance as they unfold, moment by moment, on the stage. With scene-by-scene commentary, and including an account of their life on stage, film and in criticism, this guide illuminates two plays that together rank as one of Shakespeare's greatest achievements.
The Cambridge Introduction to Chekhov
Chekhov is widely acknowledged as one of the most influential literary figures of modern times. Russia's preeminent playwright, he played a significant role in revolutionizing the modern theatre. His impact on prose fiction writing is incalculable: he helped define the modern short story. Beginning with an engaging account of Chekhov's life and cultural context in nineteenth-century Russia, this book introduces the reader to this fascinating and complex personality. Unlike much criticism of Chekhov, it includes detailed discussions of both his fiction and his plays. The Introduction traces his concise, impressionistic prose style from early comic sketches to mature works such as 'Ward No. 6' and 'In the Ravine'. Examining Chekhov's development as a dramatist, the book considers his one-act vaudevilles and early works, while providing a detailed, act-by-act analysis of the masterpieces on which his reputation rests: The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard.
Shakespeare and Violence
Shakespeare and Violence, first published in 2002, connects to anxieties about the problem of violence, and shows how similar concerns are central in Shakespeare's plays. At first Shakespeare exploited spectacular violence for its entertainment value, but his later plays probe more deeply into the human propensity for gratuitous violence, especially in relation to kingship, government and war. In these plays and in his major tragedies he also explores the construction of masculinity in relation to power over others, to the value of heroism, and to self-control. Shakespeare's last plays present a world in which human violence appears analogous to violence in the natural world, and both kinds of violence are shown as aspects of a world subject to chance and accident. This book examines the development of Shakespeare's representations of violence and explains their importance in shaping his career as a dramatist.
Chekhov: The Cherry Orchard
A study of the performance history of Anton Chekhov's The Cherry Orchard.
Tom Stoppard in Context
Tom Stoppard's work as a playwright and screenwriter has always been notable for mixing ideas with entertainment. From the early success of Rosencrantz and Guildenstern Are Dead to masterpieces like Arcadia, from radio plays about modern art to the Oscar-winning screenplay for Shakespeare in Love, Stoppard has challenged and delighted audiences with the intellectual and cultural richness of his writing. Tom Stoppard in Context provides multiple perspectives on both the life and works of one of the most important modern playwrights. This collection covers biographical and historical topics, as well as the broad array of intellectual, aesthetic, and political concerns with which Stoppard has engaged. More than thirty essays on subjects ranging from science to screenwriting help illuminate Stoppard's rich body of work.
Romeo and Juliet
Full text of the play and thorough account of its performance history.
This England, That Shakespeare
Is Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain thro...
