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Indecent Advances
Edgar Award finalist, Best Fact Crime American Masters (PBS), “1 of 5 Essential Culture Reads” One of CrimeReads’ “Best True Crime Books of the Year” “A fast–paced, meticulously researched, thoroughly engaging (and often infuriating) look–see into the systematic criminalization of gay men and widespread condemnation of homosexuality post–World War I.” —Alexis Burling, San Francisco Chronicle Stories of murder have never been just about killers and victims. Instead, crime stories take the shape of their times and reflect cultural notions and prejudices. In this Edgar Award–finalist for Best Fact Crime, James Polchin recovers and recounts queer stories from the crime pa...
Shadow Men
"Polchin knows the era, and brings to his account a wealth of colorful supporting detail . . . With its layers of taboos and public spectacle, the case feels, a century later, as relevant as ever." —Marisa Meltzer, The New York Times Book Review From Edgar Award finalist James Polchin comes a thrilling examination of the murder that captivated Jazz Age America, with echoes of the decadence and violence of The Great Gatsby On the morning of May 16, 1922, a young man’s body was found on a desolate road in Westchester County. The victim was penniless ex-sailor Clarence Peters. Walter Ward, the handsome scion of the family that owned the largest chain of bread factories in the country, confe...
Jimmy
A fresh and long-overdue reassessment of James Dean, examining his life and legacy as a queer man. Although he died at a heartbreakingly young age and appeared in only a handful of movies, James Dean revolutionized American manhood. As a celebrity and icon, he melded vulnerability with determination, sensitivity with strength, in a way that offered a bracing and—for some—threatening new vision of masculinity. His massive influence and the fascination he has always inspired are inseparable from his identity as a queer man whose complex sexuality shattered the norms of midcentury American society. (When asked whether he was a homosexual, he reportedly said, “I’m certainly not going thr...
On Not Looking
On Not Looking: The Paradox of Contemporary Visual Culture focuses on the image, and our relationship to it, as a site of "not looking." The collection demonstrates that even though we live in an image-saturated culture, many images do not look at what they claim, viewers often do not look at the images, and in other cases, we are encouraged by the context of exhibition not to look at images. Contributors discuss an array of images—photographs, films, videos, press images, digital images, paintings, sculptures, and drawings—from everyday life, museums and galleries, and institutional contexts such as the press and political arena. The themes discussed include: politics of institutional exhibition and perception of images; censored, repressed, and banned images; transformations to practices of not looking as a result of new media interventions; images in history and memory; not looking at images of bodies and cultures on the margins; responses to images of trauma; and embodied vision.
Denville 13, The: Murder, Redemption and Forgiveness in Small Town New Jersey
Denville in the 1950s was an idyllic place to live, yet a dark chapter in the era's history has remained uncovered. During the summer of 1953, a wealthy traveler with a secret rap sheet as a convicted sex offender arrived in town to continue his misdeeds. A group of thirteen local boys ranging in age from fourteen to twenty-two took it upon themselves to teach the man a lesson and drive him out of town. What resulted was his brutal death and the largest number of people ever indicted for murder in the nation at the time. The harrowing trial and its aftermath revealed a town forced to grapple with how to protect its youth and come to terms with the gruesome incident. Local historian Peter Zablocki covers the crime and a small town's path to redemption.
A Queer New York
Winner, 2021 Glenda Laws Award given by the American Association of Geographers The first lesbian and queer historical geography of New York City Over the past few decades, rapid gentrification in New York City has led to the disappearance of many lesbian and queer spaces, displacing some of the most marginalized members of the LGBTQ+ community. In A Queer New York, Jen Jack Gieseking highlights the historic significance of these spaces, mapping the political, economic, and geographic dispossession of an important, thriving community that once called certain New York neighborhoods home. Focusing on well-known neighborhoods like Greenwich Village, Park Slope, Bedford-Stuyvesant, and Crown Hei...
Faulkner and gender
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Race and White Identity in Southern Fiction
White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American characters, however, this book makes visible the ways in which southern novelists repeatedly imagine their white characters as in some sense fundamentally black.
Impossible Dance
"Impossible Dance is a highly accessible, original and engaging account of the complex and often heavily theorized debates around the body, identity and community. Focusing on gay, lesbian and queer club culture in the 1990s New York City, this is the first book to bring together vital issues such as dance culture, queer community, sex culture, HIV identity and politics. Based on four years of field work, the book takes readers on a journey from the streets of New York City into the dance clubs and onto the dance floor. Detailed interviews with club-goers capture their perspectives on how they stage their self-fashioning through dancing. Fiona Buckland argues that such dancing embodies and rehearses a powerful political imagination, laying claim to the space and to one's body as queer."—Publishers Weekly
Faulkner and Postmodernism
Since the 1960s, William Faulkner, Mississippi's most famous author, has been recognized as a central figure of international modernism. But might Faulkner's fiction be understood in relation to Thomas Pynchon's Gravity's Rainbow as well as James Joyce's Ulysses? In eleven essays from the 1999 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, Faulkner and Postmodernism examines William Faulkner and his fiction in light of postmodern literature, culture, and theory. The volume explores the variety of ways Faulkner's art can be used to measure similarities and differences between modernism and postmodernism. Essays in the collection fall into three categories: those...
