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In a new interpretation of a poet who has swayed the course of modern poetry--in France and elsewhere--James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his identity and his art. A drama emerges in Lawler's urbane and resourceful reading. The thinking, feeling, acting Drunken Boat is an early theatrical projection of the poet's self; the Inventor, the Memorialist, and the Ing nu assume distinct roles in his later verse. It is, however, in Illuminations and Une Saison en enfer that Rimbaud enacts most powerfully his grandiose dreams. Here the poet becomes Self Creator, Self-Critic, Self-Ironist; he takes the parts of Floodmaker, Oriental Storyteller, Dreamer, Lover; and he recounts his descent into Hell in the guise of a Confessor. In delineating and exploring the poet's "theatre of the self" Lawler shows us the tragic lucidity and the dramatic coherence of Rimbaud's work.
"Living Lies" is an enthralling story about espionage, human frailty, and loyalty. The plot focuses on a covert Iranian nuclear weapons program, as written by a senior CIA operations officer whose career was devoted to battling the spread of weapons of mass destruction. He also led the CIA team which disrupted the deadliest nuclear weapons network in history. This is the first installment of a series of espionage thrillers. The story begins as the U.S. is eagerly pursuing negotiations with Iran regarding their nuclear weapons program. A well-placed source in the Iranian delegation provides seemingly critical intelligence on their positions after he volunteers to a gullible CIA officer. The I...
Poems ranging from "La Jeune Parque" and "Le Cimetière marin" to occasional and light verse written as letters to friends, dedications in books, and inscriptions on ladies' fans demonstrate the wide scope of Valéry's lyric preoccupation. The bilingual edition, with David Paul's English translations facing the French texts, includes the autobiographical "Recollection," quoted below, and excerpts on poetry, selected and translated from Valéry's notebooks by James Lawler. Paul Valéry turned to the discipline of poetry during the First World War, to escape from the "commotion of a world gone mad." "I fashioned myself a poetry," he wrote, "that had no other law than to establish for me a way ...
Post-modern generative fiction. Aesthetic response to novel and film. The cinem a novel. The case of Robbe-Grillet. International aspects of the Nouveau Roman. Topology and the Nouveau Roman. Modes of "Point of view". The alienated "I". N arrative "You". Interior duplication. Games and game structures in Robbe-Grill et. The evolution of view-point in Robbe-Grillet.
Glossator 8 (2013)Kafka's Zurau Aphorisms -- Michael CiscoSensuous and Scholarly Reading in Keats's 'On First Looking into Chapman's Homer' -- Thomas DayNotes to Stephen Rodefer's Four Lectures (1982) -- Ian HeamesOrnate and Explosive Grief: A Comparative Commentary on Frank O'Hara's "In Memory of My Feelings" and "To Hell With It", Incorporating a Substantial Gloss on the Serpent in the Poetry of Paul Val�ry, and a Theoretical Excursus on Ornate Poetics -- Sam LadkinOn In Memory of Your Occult Convolutions -- Richard Parker
These prose poems were written by Claudel over ten years in his travels through China and Japan in the 19th century. In his translation, James Lawler presents Claudel as a poet who discovered himself in his experience of the East. He gives a detailed introduction, notes on the poet and the poems.
Thirty years ago, the bestselling "letter to the government" Work in America published to national acclaim, including front-page coverage in The New York Times, Wall Street Journal, and Washington Post. It sounded an alarm about worker dissatisfaction and the effects on the nation as a whole. Now, based on thirty years of research, this new book sheds light on what has changed - and what hasn't. This groundbreaking work will illuminate the new critical issues - from worker demands to the new ethical rules to the revolution in culture at work.
Approaching the study of literature as a unique form of the philosophy of language and mind--as a study of how we produce nonsense and imagine it as sense--this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship. The book itself is framed by the literary and philosophical challenges presented by Joyce's Finneg...