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He lives to kill monsters. He keeps his city safe. And his silver hollow-points and back-from-the-dead abilities help him take out any kind of supernatural threat. But now an immortal evil has this bad-ass bounty hunter dead in its sights. . . Ever since a monster murdered his family, Deacon Chalk hunts any creature that preys on the innocent. So when a pretty vampire girl "hires" him to eliminate a fellow slayer, Deacon goes to warn him--and barely escapes a vampire ambush. Now he's got a way-inexperienced newbie hunter to protect and everything from bloodsuckers to cursed immortals on his trail. There's also a malevolent force controlling the living and the undead, hellbent on turning Deacon's greatest loss into the one weapon that could destroy him. . .
Collects Venom: Lethal Protector #1-6. Venom -- alien symbiote and defender of the innocent! When Eddie Brock heads West, there's no shortage of enemies waiting to test his resolve -- including the Jury! Plus: Spider-Man meets Venom's father! And Venom gives birth to a whole new horde of sinister symbiotes! It's the original Venom in his first -- and deadliest -- solo series
The toughest monster hunter on the block is back, and he's badder than ever! Deacon Chalk returns in this Author's Preferred Edition! Taking out hellish creatures - not a problem. Armed with blessed silver hollow-points and the ability to manipulate magick, he's ready for anything - except betrayal he never saw coming... Deacon Chalk knows the biggest danger in fighting monsters is becoming one. Just another day at the office for your friendly neighborhood occult bounty hunter. If keeping three helpless were-dog children safe means battling a malevolent trio of witches by any means necessary, so be it. If that means partnering with a ruthless government agent to stay one step ahead of the allies and friends he must now suspect, he's not going to cry about it.
The baddest monster hunter on the block is back, and he's badder than ever! Deacon Chalk returns in this Author's Preferred Edition! He hasn't met a monster yet that could give him a scare. With ice in his veins, silver hollow-points in his chambers, and an innate ability to rise from the dead, what's to fear? The answer may be something he doesn't want to face... Deacon Chalk normally has no trouble telling innocent victims from real monsters. So protecting an abused pregnant were-dog is a no-brainer...until a vicious lycanthrope leader and his brotherhood target Deacon, other shape-shifters, and any humans in their way. Suddenly, Deacon is outnumbered, outgunned, and unsure who - or what - to trust. The only edge he has left is a weapon hungry for his soul and his most savage impulses. And using it will exact a price even this hell-raising hunter fears to pay...
HARK! to the sounds of battle. Mighty men and women who take their destinies with the strength of their arm and the sharpness of their blades. These are tales of warriors, reavers, barbarians, and kings. Lands of wonder populated with monsters, black-hearted sorcerors of Stygian power, and heroes who have blood on their hands and on their steel. This is SWORD AND SORCERY.
In this exciting revisionist history, Stephen Tuck traces the black freedom struggle in all its diversity, from the first years of freedom during the Civil War to President Obama’s inauguration. As it moves from popular culture to high politics, from the Deep South to New England, the West Coast, and abroad, Tuck weaves gripping stories of ordinary black people—as well as celebrated figures—into the sweep of racial protest and social change. The drama unfolds from an armed march of longshoremen in post–Civil War Baltimore to Booker T. Washington’s founding of Tuskegee Institute; from the race riots following Jack Johnson’s “fight of the century” to Rosa Parks’ refusal to mo...
Shredding monsters is his stock and trade. He sniffs them out, tracks them down, and corners them. End of story. But when the tables are turned, expect the unexpected. . . Knowing his enemy is a rule Deacon Chalk swears by. But he's never seen anything like whatever is leaving the Atlanta Zoo's most dangerous predators bloodless, skinned, and hanging high in treetops. And he's only got till sunrise to keep it from turning the entire city into a slaughterhouse. Now Deacon is in zoo lockdown with a handful of staffers to save. His zookeeper backup has more guts than monster-hunting experience. And the only chance Deacon has to run this thing to unholy ground is to risk unleashing his darkest, most uncontrollable instincts. . . James R. Tuck is a professional tattoo artist whose work has appeared in numerous publications. He currently lives with his wife, children, and several dogs in Georgia, where he owns and operates a tattoo parlor.
Mickey Finn: 21st Century Noir, Volume 2, the second entry of the hard-hitting anthology series, is a crime-fiction cocktail that will again knock readers into a literary stupor. Contributors push hard against the boundaries of crime fiction, driving their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule. And they do all this in contemporary settings, bringing noir into the 21st century. Like any good cocktail, Mickey Finn is a heady mix of ingredients that packs a punch, and when you’ve finished reading every story, you’ll know that you’ve been “slipped a Mickey.” The nineteen contributors, including some of today’s most respected short-story writers and new writers making their mark on the genre, include: Trey R. Barker, John Bosworth, Michael Bracken, Scott Bradfield, S.M. Fedor, Nils Gilbertson, J.D. Graves, James A. Hearn, Janice Law, Hugh Lessig, Gabe Morran, Rick Ollerman, Josh Pachter, Robert Petyo, Stephen D. Rogers, Albert Tucher, Joseph S. Walker, Sam Wiebe, and Stacy Woodson.
A proposition of contemporary economics and political science is that it would be an exercise of reason, not a failure of it, not to contribute to a collective project if the contribution is negligible, but to benefit from it nonetheless.Tuck makes careful distinctions between the prisone's dilemma problem, threshold phenomena such as voting, and free riding. He analyzes the notion of negligibility, and shows some of the logical difficulties in the idea - and how the ancient paradox of the sorites illustrates the difficulties.
These are dark days for England. The Hood is dead. The Sheriff has summoned an ally - one who leads an army sufficient to enter Sherwood and crush the resistance. Then comes news that King Richard is the prisoner of a pagan ruler. What began as a rebellion has become a war for the throne. With hordes of demons and men at his disposal, the Sheriff is poised to seize power. A desperate mission is mounted to rescue Richard, while those who remain behind must hold off the enemy. Yet even if the true king returns, an epic battle will erupt, and the outcome cannot be foretold.