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James Runciman (August, 1852 - 6 July 1891) was an English teacher, author and journalist.
James Runciman (1852-1891) was an English teacher, author and journalist. He was born at Cresswell, a village near Morpeth in Northumberland. He was educated at Ellington school, and then for two years (1863-5) in the naval school at Greenwich, Kent, becoming afterwards a pupil-teacher at North Shields ragged school. While still a schoolmaster, he read for himself at night, and attempted journalism. He soon wrote regularly for the Teacher, the Schoolmaster, and Vanity Fair; of the last paper he became sub-editor in 1874. In January 1874, he matriculated at the University of London. About 1880, while continuing his school-work, he was sub-editor of London. Subsequently he confined himself solely to the profession of journalism. As a writer on social or ethical topics, he proved himself equally vigorous and versatile, but his best literary work described the life of the fishermen of the North Sea, with whom he spent many of his vacations. His most famous works include: The Romance of the Coast (1883), The Chequers (1888) and A Dream of the North Sea (1889).
Fishing for Souls explores the origins and development of fishermen’s missions in Britain, focussing particularly on the nineteenth and early twentieth centuries. This book is the first to view the entire picture of a significant, although not broadly known, part of British history, and to add new relevant perspectives. Dr Stephen Friend FRSA establishes ‘an historical outline of the development of the churches’ work among British fishing communities and explores why a mission specifically concerned with fishermen was not initiated until the industry entered a period of economic decline during the early 1880s. The factors relating to the development of British fisherman’s missions ar...
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This book looks at Rider Haggard from a different standpoint, his own. It carries a selection of critical appraisals of Haggard's work by his contemporaries up until the early 1950s.
Philip Waller explores the literary world in which the modern best-seller first emerged, with writers promoted as stars and celebrities, advertising both products and themselves.