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In the Shadows of the Tropics
In this original work James Duncan explores the transformation of Ceylon during the mid-nineteenth century into one of the most important coffee growing regions of the world and investigates the consequent ecological disaster which erased coffee from the island. Using this fascinating case study by way of illustration, In the Shadows of the Tropics reveals the spatial unevenness and fragmentation of modernity through a focus on modern governmentality and biopower. It argues that the practices of colonial power, and the differences that race and tropical climates were thought to make, were central to the working out of modern governmental rationalities. In this context, the usefulness of Foucault's notions of biopower, discipline and governmentality are examined. The work contributes an important rural focus to current work on studies of governmentality in geography and offers a welcome non-state dimension by considering the role of the plantation economy and individual capitalists in the lives and deaths of labourers, the destabilization of subsistence farming and the aggressive re-territorialization of populations from India to Ceylon.
Not a One-way Street
Leading Canadian industrialist and politician.
The City as Text
Argues that landscapes are not only culturally produced, but they also influence governing ideas of political and religious life.
Place/Culture/Representation
Spatial and cultural analysis have recently found much common ground, focusing in particular on the nature of the city. Place/Culture/Representation brings together new and established voices involved in the reshaping of cultural geography. The authors argue that as we write our geographies we are not just representing some reality, we are creating meaning. Writing becomes as much about the author as it is about purported geographical reality. The issue becomes not scientific truth as the end but the interpretation of cultural constructions as the means. Discussing authorial power, discourses of the other, texts and textuality, landscape metaphor, the sites of power-knowledge relations and notions of community and the sense of place, the authors explore the ways in which a more fluid and sensitive geographer's art can help us make sense of ourselves and the landscapes and places we inhabit and think about.
Landscapes of Privilege
James and Nancy Duncan look at how the aesthetics of physical landscapes are fully enmeshed in producing the American class system. Focusing on an archetypal upper class American suburb-Bedford in Westchester County, NY-they show how the physical presentation of a place carries with it a range of markers of inclusion and exclusion.
Place/culture/representation
On cultural geography
The Duncan Era
A humbler resemblance to The H.D. Book than The Pound Era, Patrick James Dunagan's The Duncan Era: One Reader's Cosmology is an account of how we might very well begin to read America's most essential poet since Pound and Williams. The accounts of community-featuring Jack Spicer, Robin Blaser, and Jess-do not disappoint, sounding out the beginnings of a possible literary cosmology to further explore the origins, life, and fate of Duncan's poetry. Richard Blevins, author of The Art of The Serial Poem
They Don't Dance Much
Called by Raymond Chandler “a sleazy, corrupt but completely believable story of a North Carolina town,” this tough, realistic novel exemplifies Depression literature in the United States. Falling somewhere between the hard-as-nails writing of James M. Cain and the early stories of Ernest Hemingway, James Ross’s novel was for sheer brutality and frankness of language considerably ahead of his reading public’s taste for realism untinged with sentiment or profundity. In his brilliant Afterword to this new edition, George V. Higgins, author of the recent best-seller Cogan’s Trade, pays tribute to Ross for his courage in telling his story truthfully, in all its ugliness. The setting of They Don’t Dance Much is a roadhouse on the outskirts of a North Carolina town on the border with South Carolina, complete with dance floor, restaurant, gambling room, and cabins rented by the hour. In the events described, Smut Milligan, the proprietor, seeks money to keep operating and commits a brutal murder.
A Companion to Cultural Geography
A Companion to Cultural Geography brings together original contributions from 35 distinguished international scholars to provide a critical overview of this dynamic and influential field of study. Provides accessible overviews of key themes, debates and controversies from a variety of historical and theoretical vantage points Charts significant changes in cultural geography in the twentieth century as well as the principal approaches that currently animate work in the field A valuable resource not just for geographers but also those working in allied fields who wish to get a clear understanding of the contribution geography is making to cross-disciplinary debates
