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The Story of the Rear Column of the Emin Pasha Relief Expedition
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
The Modernist Papers
Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in W...
The Program Era
In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explore...
Postmodernism, Or, The Cultural Logic of Late Capitalism
This wide-ranging work seeks to crystallize a definition of postmodernism. The author looks at the postmodern across a wide landscape, from high art to low; from market ideology to architecture, from painting to punk; film, from video art to literature.
Jameson
Jameson O'Rourke owns the primo tattoo shop in town, one he's worked hard to build. And in his industry, he's the current 'it' boy, the reigning King of Ink. His career is on fire, so hot television has even come calling. And as a result, the town bad-boy has now become the town's favored son. Ava Hightower needs his face on her flyers, if she is to have any hope of her charity gala and bachelor auction being a success. Unfortunately, they get along like oil and water. He's a hardheaded, controlling jerk, and she's already had one run-in with the man. Asking him, of all people, for help is the last thing she wants to do. Not exactly a match made in heaven. Jameson doesn't think too highly of...
The Stopover
T L Swan is a Wall Street Journal, USA Today, and #1 Amazon Best Selling author. With millions of books sold, her titles are currently translated in twenty languages and have hit #1 on Amazon in the USA, UK, Canada, Australia and Germany. Tee resides in Sydney, Australia with her husband and their three children where she is living her own happy ever after with her first true love. Stop by and meet Tee in her private Facebook group, Swan Squad VIP, or check out her website: https://tlswanauthor.com Suggested Reading Order: My Temptation (Kingston Lane #1) The Stopover (The Miles High Club #1) The Takeover (The Miles High Club #2) The Casanova (The Miles High Club #3) The Do-over (The Miles H...
The Inheritance Games
2 MILLION COPIES SOLD OF THE #1 BESTSELLING SERIES! 'A MASTER OF PUZZLES AND PLOT TWISTS' E. Lockhart, author of We Were Liars The addictive and twisty thriller, full of dark family secrets and deadly stakes that's 'impossible to put down' (Buzzfeed). Perfect for fans of Karen McManus and Holly Jackson. A BILLION-DOLLAR FORTUNE TO DIE FOR. Avery has a plan: keep her head down, work hard for a better future. Then an eccentric billionaire dies, leaving her almost his entire fortune. And no one, least of all Avery, knows why. A DEADLY GAME. Now she must move into the mansion she's inherited. It's filled with secrets and codes, and the old man's surviving relatives - a family hell-bent on discovering why Avery got 'their' money. WINNER TAKES ALL. Soon she is caught in a deadly game that everyone in this strange family is playing. But just how far will they go to keep their fortune? **Avery's story continues in The Hawthorne Legacy, The Final Gambit and The Brothers Hawthorne**
The Political Unconscious
Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is cultura...
Raymond Chandler
The master of literary theory takes on the master of the detective novel Raymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler’s work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler’s invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical.
Valences of the Dialectic
After half a century exploring dialectical thought, renowned cultural critic Fredric Jameson presents a comprehensive study of a misunderstood yet vital strain in Western philosophy. The dialectic, the concept of the evolution of an idea through conflicts arising from its inherent contradictions, transformed two centuries of Western philosophy. To Hegel, who dominated nineteenth-century thought, it was a metaphysical system. In the works of Marx, the dialectic became a tool for materialist historical analysis. Jameson brings a theoretical scrutiny to bear on the questions that have arisen in the history of this philosophical tradition, contextualizing the debate in terms of commodification and globalization, and with reference to thinkers such as Rousseau, Lukács, Heidegger, Sartre, Derrida, and Althusser. Through rigorous, erudite examination, Valences of the Dialectic charts a movement toward the innovation of a “spatial” dialectic. Jameson presents a new synthesis of thought that revitalizes dialectical thinking for the twenty-first century.
