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The Ceramic Art of James Tower
James Tower (1919-88) is widely regarded as one of the most distinctive figures in post-war British ceramics. Since his death over 20 years ago, his work has been often cited for its dramatic visual qualities, its subtle exploration of the boundaries of art and craft, and its lyrical integration of references to nature and the cosmos into an essentially abstract language of form and surface decoration. This is the first single publication to be devoted to his work and will reveal to a new audience the extraordinary range and quality of his achievement. Tower's career was unusual in inhabiting the worlds of fine art and ceramics which, in the 1950s and 1960s, still had only a low level of int...
James Tower
*Monograph on the influential ceramicist James Tower*This centenary volume represents Tower's complete artistic output*Accompanies an exhibition at the Victoria Art Gallery, Bath, UK, 21 September - 24 November 2019James Tower (1919-1988) is best known for his elegant forms in glazed earthenware. During a career spanning four decades, from the 1950s to the 1980s, he worked unceasingly in a wide variety of media to achieve an elusive harmony of shape and surface, form and decoration, inert material and active design. His personal understanding of the purpose and meaning of abstraction embodies a perpetual dialogue between the visible world and the unseen dynamics which shape it. This centenar...
The Hidden Tower
Otto Shenk is the youngest son of a minor baron and a wizard. Abused by his family and considered less than human by his kingdom, Otto does his best to survive. But everything changes when Otto stumbles across a tower hidden deep in a dark part of the forest near his home. A tower that was once the home of an Arcane Lord, the immortal wizards that long ago ruled the world. Otto’s life will be changed forever. And so will the world.
The Ivory Tower
In 1914, Henry James began work on a major novel about the immense new fortunes of America's Gilded Age. After an absence of more than twenty years, James had returned for a visit to his native country; what he found there filled him with profound dismay. In The Ivory Tower, his last book, the characteristic pattern underlying so much of his fiction -- in which American "innocence" is transformed by its encounter with European "experience" -- receives a new twist: raised abroad, the hero comes home to America to confront, as James puts it, "the black and merciless things that are behind the great possessions." James died in 1916 with the first three books of The Ivory Tower completed. He also left behind a "treatment," in which he charted the further progress of his story. This fascinating scenario, one of only two to survive among James's papers, is also published here together with a striking critical essay by Ezra Pound. Book jacket.
The Black Tower
Just recovered from a grave illness, Commander Adam Dalgliesh is called to the bedside of an elderly priest. When Dalgliesh arrives, Father Baddeley is dead. Is it merely his own brush with mortality that causes Dalgliesh to sense the shadow of death about to fall once more? "Splendid, macabre," wrote the London Sunday Telegraph. "The Black Tower is a masterpiece," the London Sunday Times concurred.
Once Upon a Tower
'Nothing gets me to a bookstore faster than Eloisa James' - Julia Quinn Once upon a time a duke fell in love... Gowan Stoughton of Craigievar, Duke of Kinross, values order and self-control above all else. So when he meets a lady as serene as she is beautiful, he promptly asks for her hand in marriage. With a lady... Edie - whose passionate temperament is the opposite of serene - had such a high fever at her own debut ball that she didn't notice anyone, not even the notoriously elusive Duke of Kinross. When her father accepts his offer... she panics. And when their marriage night isn't all it could be, she pretends. In a tower. But Edie's inability to hide her feelings makes pretending impossible, and when their marriage implodes, she retreats to a tower - locking Gowan out. Now Gowan faces his greatest challenge. Neither commands nor reason work with his spirited young bride. How can he convince her to give him the keys to the tower . . . when she already has the keys to his heart? 'Eloisa James is extraordinary' - Lisa Kleypas 'Romance writing does not get much better than this' - People
The Golden Tower
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The Tower
First published in 1928, The Tower was Yeats’s first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, ‘The Tower’, refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet’s work.
Blarney Castle
Blarney Castle, the medieval home of the MacCarthy lords of Muskerry, is one of Ireland's best-known castles. Many visitors to Ireland include a trip to the castle in their itinerary, often queuing to kiss the Blarney Stone in hope of acquiring the 'gift of the gab.' Yet, despite the castle's ubiquitous image on postcards and tourist promotional literature, there is little acknowledgment of the building's historical and archaeological significance as a native lordly residence. This book - now available in paperback - brings the castle's architecture to the fore, placing it in the context of an expansive native lordship in late medieval Munster, and showing how changes in the layout and appearance of the building can be attributed to the castle's occupants, who continued to redefine their social standing and cultural identity through the Tudor reconquest and beyond.
The Ivory Tower
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
