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Islamic Metalwork
The Nuhad Es-Said Collection of Islamic metalwork is one of the finest in private hands. It contains examples of inlaid bronzes and brasses from 6th/12th and 7th/13th Herat and 7th/13th century Mosul, from Ayvubid Syria, Saljuk Anatolia, the Mamluk empire and the Dehli sultanate, and from Il-Khanid, Timurid and Safavid Iran. Inlaid with gold, silver and copper, and bearing planetary and astrological figures, mystical symbols, and effusive dedications to sultans and petty rulers, these objects take the reader into a world where superstition, religion and politics jostle for supremacy, and are evidence that works of art reflect the societies they serve.
Metalwork of the Islamic World
The catalogue begins with five informative introductory essays in which James Allan discusses Islamic metalwork produced in the Mediterranean area and in the Medieval Yemen, the history of incense burners in the Islamic Near East, the continuing use of classical libation vessels in Islamic culture and finally the complex question of Venetian-Saracenic metalwork. With over fifty drawings of comparative pieces, this book makes an important contribution to the study of Islamic metalwork.
The Art and Architecture of Twelver Shiʻism
Twelver Shi'ism is the dominant faith in southern Iraq and Iran and it has had a major historical role also in India, in particular in the Deccan and in Lucknow, but its distinctive art and architecture have received little attention and seldom appear in books on the arts of the Islamic World. This book attempts to correct this situation. It looks first at the history of the great Shi'i shrines of Iran and Iraq, a subject almost completely untouched in the standard works on Islamic architecture; at the role of Shi'i and, unexpectedly, Sunni (orthodox Islamic) patronage in their development; at the collecting of relics, and the use of inscriptions and symbols to identify religious buildings; ...
Nishapur
The city of Nishapur, located in eastern Iran, was a place of political importance in medieval times and a flourishing center of art, crafts, and trade. This publication explores metalwork found at the site at Nishapur excavated by the Iranian Expedition of the Metropolitan Museum in 1935–40 and again in 1947. -- Metropolitan Museum of Art website.
Persian Steel
Study of the Tanavoli collection's iron and steel objects, supplemented in important areas by items from the Ashmoleon Museum.
Court and Cosmos
Rising from humble origins as Turkish tribesmen, the powerful and culturally prolific Seljuqs—an empire whose reach extended from Central Asia to the eastern Mediterranean—dominated the Islamic world from the eleventh to the fourteenth century. Court and Cosmos: The Great Age of the Seljuqs examines the roots and impact of this formidable dynasty, featuring some 250 objects as evidence of the artistic and cultural flowering that occurred under Seljuq rule. Beginning with an historical overview of the empire, from its early advances into Iran and northern Iraq to the spread of its dominion into Anatolia and northern Syria, Court and Cosmos illuminates the splendor of Seljuq court life. Th...
Topic Detection and Tracking
Topic Detection and Tracking: Event-based Information Organization brings together in one place state-of-the-art research in Topic Detection and Tracking (TDT). This collection of technical papers from leading researchers in the field not only provides several chapters devoted to the research program and its evaluation paradigm, but also presents the most current research results and describes some of the remaining open challenges. Topic Detection and Tracking: Event-based Information Organization is an excellent reference for researchers and practitioners in a variety of fields related to TDT, including information retrieval, automatic speech recognition, machine learning, and information extraction.
The Diez Albums
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...
