You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A look at Baudrillard's thought from a theological perspective.
By providing a much-needed religious/philosophical context for the discussion - examining contemporary thinking on just what constitutes valuable life - Walters broadens his inquiry beyond the human to include other animals and also deals with the phenomenon of anencephalic infants, those who are born without higher brains.
Outstanding guide for crocheters of all levels covers all aspects of crochet stitches and technique, from yarn selection to edgings, borders, and braid. Profusely illustrated with drawings, diagrams, and photographs.
In the first dedicated title on this landmark political comedy, James Walters provides an in-depth study of the programme's achievements, by examining its power and influence within society and evaluating its legacy as a work of television art.
Fantasy Film proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. This volume extends critical understanding beyond the often narrowly defined boundaries of what is seen as "fantasy". Fantasy Film uses key concepts in film studies - such as authorship, representation, history,genre, coherence and point of view - to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion. Moving from Alfred Hitchcock's dark thrillers to Vincente Minnelli's vibrant musicals, from George Méliès' 1904 Voyage à travers l'impossible to the X-Men series, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students and fans of the fantasy genre.
Market globalization, technology, climate change, and postcolonial political forces are together forging a new, more modern world. However, caught up in the mix are some powerful religious narratives that are galvanizing peoples and reimagining – and sometimes stifling – the political and social order. Some are repressive, fundamentalist imaginations, such as the so-called Islamic Caliphate. Others could be described as post-religious, such as the evolution of universal human rights out of the European Christian tradition. But the question of the compatibility of these religious worldviews, particularly those that have emerged out of the Abrahamic faith traditions, is perhaps the most pressing issue in global stability today. What scope for dialogue is there between the Jewish, Muslim, and Christian ways of imagining the future? How can we engage with these multiple imaginations to create a shared and peaceful global society? Religious Imaginations is an interdisciplinary volume of both new and well-known scholars exploring how religious narratives interact with the contemporary geopolitical climate.
How to meaningfully engage with interfaith questions? Grounded in the author's experience of developing interfaith programmes at one of the world's leading universities, this book carves a fresh perspective on the challenges of religious difference by placing them within the broader currents of belief and scepticism in today's society. It sets out the local challenges presented by religious difference within the global picture, and explores the implications of global religious resurgence for Western secularist assumptions, both in our communities and in how we relate the rest of the world. Combining theory with examples of practical engagement, Walters offers an imaginative Christian theological approach to responding to religious difference without resorting to relativism. It is essential reading for anyone interested in the future of religion in the modern world.
Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres. Divided into two parts, the first three chapters contextualise repetition within related media and critical debates, before locating it as an important facet of television that is worth exploring in detail. The final three chapters discuss specific television shows that incorporate repetition creatively within their narrative structure and aesthetic composition, ranging from The Royle Family and Doctor Who to I May Destroy You and This is Going to Hurt. In each case, James Walters argues that repetition emerges as crucial to the expression of key themes and ideas, thus becoming a structural and compositional element itself. Exploring the ways in which repetition has featured in the work of figures such as Umberto Eco, Raymond Bellour and Bruce Kawin, and has influenced the approaches of television scholars like Raymond Williams, Roger Silverstone and John Ellis, this book is essential reading for scholars and students of film, television and media studies.
This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies. Chapters from leading scholars move through a range of examples from different styles and genres, from Game of Thrones to America’s Next Top Model. Individual performances are analysed in close detail as the authors debate central questions of meaning, value and achievement. Opening out new pathways for inquiry and investigation, this book is an important touchstone for undergraduate and postgraduate students of Television, Media and Theatre Studies with an interest in the work of actors and non-actors on screen.