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The figure of Hamlet haunts our culture like the Ghost haunts him. Arguably, no literary work, not even the Bible, is more familiar to us than Shakespeare’s Hamlet. Everyone knows at least six words from the play; often people know many more. Yet the play—Shakespeare’s longest—is more than “passing strange” and becomes deeply unfamiliar when considered closely. Reading Hamlet alongside other writers, philosophers, and psychoanalysts—Carl Schmitt, Walter Benjamin, Freud, Lacan, Nietzsche, Melville, and Joyce—Simon Critchley and Jamieson Webster consider the political context and stakes of Shakespeare’s play, its relation to religion, the movement of desire, and the incapacity to love.
The author believes the discovery of psychoanalysis cannot be separated from Freud's self-analysis and the foundational act of writing about his own dreams. Now that the hype, the 100 years of excitement and building up of the institution of psychoanalysis, is in decline, the time seems ripe for a return to the question of the truth of the discovery of the unconscious. This book seeks to take up this crisis and return psychoanalysis to a discourse relevant to contemporary thought as a more personal story of what it means to become a psychoanalyst. The work is divided into three sections, each organized around a major thinker whose work is defined by a definitive engagement with psychoanalysis: Adorno, Lacan and Badiou. Each section is marked by a careful reading of these thinkers, attempting to deconstruct their understanding of psychoanalysis, including how this work has shaped the author's identity as a psychoanalyst.
"The author believes the discovery of psychoanalysis cannot be separated from Freud's self-analysis and the foundational act of writing about his own dreams. Now that the hype, the 100 years of excitement and building up of the institution of psychoanalysis, is in decline, the time seems ripe for a return to the question of the truth of the discovery of the unconscious. This book seeks to take up this crisis and return psychoanalysis to a discourse relevant to contemporary thought as a more personal story of what it means to become a psychoanalyst. The work is divided into three sections, each organized around a major thinker whose work is defined by a definitive engagement with psychoanalysis: Adorno, Lacan and Badiou. Each section is marked by a careful reading of these thinkers, attempting to deconstruct their understanding of psychoanalysis, including how this work has shaped the author's identity as a psychoanalyst."--Provided by publisher.
Arguably, no literary work is more familiar to us than Shakespeare's most famous tragedy. Everyone can quote at least six words from the play; often people know many more. In this riveting and thought-provoking re-examination, philosopher Simon Critchley and psychoanalyst Jamieson Webster explore Hamlet's continued relevance for a modern world no less troubled by existential anxieties than Elizabethan London. Reading the drama alongside writers, philosophers and psychoanalysts-Schmitt, Benjamin, Freud, Lacan, Nietzsche, Melville, and Joyce-the authors delve into the politics of the era, the play's relationship to religion, the exigencies of desire and the incapacity to love. It is an intellectual investigation that leads to a startling conclusion: Hamlet is a play about nothing in which Ophelia emerges as the true hero. From the illusion of theatre and the spectacle of statecraft to the psychological theatre of inhibition and emotion, what Hamlet makes manifest is the modern paradox of our lives: where we know, we cannot act. The Hamlet Doctrine is a passionate encounter with a great work of literature that continues to speak to us across centuries.
A gorgeous, expansive piece of narrative non-fiction about care, dependence, and what it means to breathe in an age of environmental catastrophe A few moments after birth we begin to use our lungs for the first time. From then on, we must continue breathing for as long as we are alive. And although this mostly happens unconsciously, in a society plagued by anxiety, climate change, environmental racism, and illness, there are more and more instances that “teach us about the privilege that is breathing.” Why do we so easily forget the air that we breathe in common? What does it mean to breathe when the environment that sustains life now threatens it? And how can life continue to flourish u...
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A book featuring a conversation, texts, and research material for Kyle Thurman's Dream Police paintings.
This thorough text provides a complete overview of the drive in Lacanian psychoanalysis. Divided into four key areas, the book considers clinical, theoretical, historical, and cultural aspects of the drive, with editorial headnotes throughout. The introduction to the collection provides a comprehensive overview of the theory and history of the drive as a concept and is followed by discussion of clinical cases. Critical Essays on the Drive then assesses theoretical aspects, with chapters by world-leading Lacanian scholars. The final parts of the book explore the history of drive theory and its impact on art and culture, debunking the notion that the drive is a dormant or defunct concept and considering its applications by artists, academics, and cultural theorists. Critical Essays on the Drive will be essential reading for psychoanalysts, psychologists, psychotherapists, and psychiatrists in practice and in training. It will also be of great interest to academics and scholars of psychoanalytic and Lacanian theory, critical theory, and cultural theory.