You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Bo-Kaap contains a wealth of stories; of slavery and emancipation, far away exotic lands, food and spices, music and culture, and most of all everyday life.
Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.
From the author of the bestselling phenomenon The Hare with Amber Eyes As you may have guessed by now, I am not in your house by accident. I know your street rather well. The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 'Illuminating... A wonderful tribute to a family and to an idea' Guardian 'Letters to Camondo immerses you in another age... Dazzling' Financial Times
A TIMES and INTERNATIONAL BESTSELLER WINNER OF THE IRISH NOVEL PRIZE Soon to be a major BBC film starring Sir Lenny Henry, Malachi Kirby, Monica Dolan, Olivia Williams and Christopher Eccleston. It's 1981, a year of riots and royal weddings. The Dukes of Hazzard is on TV. Curly Wurlys are in the shops. And trying to find a place in it all is nine-year-old Leon. He and his little brother Jake have gone to live with Maureen. They've lost one home, but have they found another? Maureen feeds and looks after them. She has wild red hair and mutters swearwords under her breath when she thinks they can't hear. She claims everything will be okay. But will they ever see their mother again? Who are the...
This new edition of The Caucasus is a thorough update of an essential guide that has introduced thousands of readers to a complex region. Armenia, Azerbaijan, Georgia and the break-away territories that have tried to split away from them constitute one of the most diverse and challenging regions on earth, impressing the visitor with their multi-layered history and ethnic complexity. Over the last few years, the South Caucasus region has captured international attention again because of disputes between the West and Russia, its unresolved conflicts, and its role as an energy transport corridor to Europe. The Caucasus gives the reader a historical overview and an authoritative guide to the three conflicts that have blighted the region. Thomas de Waal tells the story of the "Five-Day War" between Georgia and Russia and recent political upheavals in all three countries. He also finds time to tell the reader about Georgian wine, Baku jazz and how the coast of Abkhazia was known as "Soviet Florida." Short, stimulating and rich in detail, The Caucasus is the perfect guide to this fascinating and little-understood region.
Esther de Waal is one of today’s most beloved spiritual writers. In The White Stone, she reflects on the changes and losses that come with growing older. Esther reflects on solitude and, following a period of illness, saying goodbye to a family home and the Welsh border landscape she had known for decades which inspired some of her greatest writing, and adjusting to a new city environment. In her characteristic style, she sees everything as a portal into a deeper spiritual understanding. She draws on the wealth of the Christian tradition, especially scripture and the monastic and Celtic spiritualities she knows so well, to help her navigate her way through not only the inevitable sense of loss that accompanies such change, but also to embrace the new possibilities it brings. The white stone of the title refers to a small pebble from the river that ran through her garden that she keeps in her pocket, but also strikes a note of hope referring to the new identity promised by God (Revelation 2.17). This is a book of simple, profound wisdom that will speak to many coping with change in their own lives.
Mama's Last Hug opens with the moving farewell between Mama, a dying chimpanzee matriarch, and her human friend, a professor who inspired the author's work. Their parting, the video of which has been watched by millions online, is not only a window into the deep bonds they shared, but into the remarkable emotional capacities of animals. In this groundbreaking and entertaining book, primatologist Frans de Waal draws on his renowned studies of the social and emotional lives of chimpanzees, bonobos and other primates, and personal encounters with many other species, to illuminate new ideas and findings about animal emotions: joy, grief, shame, love, pain and happiness. Exploring the facial expressions of animals, human and animal politics, and animal consciousness, de Waal illustrates how profoundly we have underestimated animals' emotional experiences. He argues that emotions occupy a far more significant place in the way we organise our societies than a more rationalist approach would advocate. His radical proposal is that emotions are like organs: humans haven't a single organ that other animals don't have, and the same can be said of our emotions.
Published to mark the display of library of exile at the British Museum, this beautifully produced new book reflects on the themes raised by de Waal's thought-provoking work of art. A preface by Booker Prize-nominated author Elif Shafak reflects on the importance of literature and its capacity to transcend language and borders. The introduction from Hartwig Fischer, Director of the British Museum, positions the artwork within the wider context of the Museum's collection, highlighting the dialogue between objects from across time and throughout history and the contemporary. Finally, de Waal concentrates on the work itself, its journey to the British Museum via Venice and Dresden, and its future role in the foundation of the New University Library in Mosul.
"Precise but eminently readable and indeed exciting... This excellent book achieves the dual goal which eludes so many writers about animal behavior -- it will both fascinate the non-specialist and be seen as an important contribution to science." -- Times Literary Supplement
Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. T...