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POTTER United Families
Nic de Potter is co-author of six kids in Brussels and six books in Bruges. - His intelligence agency investigated families during twenty years. - He uncovered best stories out of the millenium (1050-2050). - Eleventh century Graal quest with King Godfrey in Ardennes - Heroïc Celtic craftsmen Tournai, 12thC. - French textile heretics in Renaix, 13thC. - Tough rebels to bloody Duke of Alba in Brabant, 15thC. - Dutch secret support during the great sickness, 16thC. - Brilliant Flemish scouts in Bruges, 17thC. - Brave Belgian revolution leader, 18thC. - Forgotten American migrants, 19thC. - German WW1 escape, 20thC. - Vanishing of Brussels, 21thC!? - Amazing true illustrated adventures! More info and sources: www.potter.c.la
The Same But Different?
Using cutting-edge theory regarding trade networks and diaspora, this book offers an innovative analysis of Sephardic merchants in 17th c. Amsterdam’s trade. Challenging views that Sephardic success stemmed from endogamous business relationships, it shows that Sephardic merchants traded with non-Sephardim.
Medieval Art in Motion
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned h...
Personification
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
