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Medieval Art in Motion
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned h...
Moving Women Moving Objects (400–1500)
This collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and medieval geography. It explores how women’s geographic and familial networks spread well beyond the borders that defined men’s sense of region and how the movement of their belongings can reveal essential information about how women navigated these often-disparate spaces. Beginning in early medieval Scandinavia, ranging from Byzantium to Rus', and multiple lands in Western Europe up to 1500, the essays span a great spatio-temporal range. Moreover, the types of objects extend from traditionally studied works like manuscripts and sculpture to liturgical and secular ceremonial instruments, icons, and articles of personal adornment, such as textiles and jewelry, even including shoes.
New Approaches to the Archive in the Middle Ages
This volume brings together scholars of history, manuscript studies, and art and architectural history to examine in conversation the varieties of medieval archival acts, the heterogeneity of collections, and the motivations of collectors. It is united by the historically flexible concept of the archive, and contributors examine material from Seville to Prague, from the early Christian period through the Reformation. Premodern collections and archival practices are increasingly becoming the subject of academic inquiry. Chapter authors investigate how institutional, communal, and familial identity accrued to material culture, including illuminated manuscripts, ecclesiastic vestments, ancient ...
Visualizing Household Health
In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland f...
Convention and the Individual in Medieval English Romance
Offers a nuanced reading of character and subjectivity in medieval romance via an exploration of its conventions.Medieval romances can be characterised by their formulaic motifs, predictable plots, and "stock" figures and character types. This book offers a fresh perspective on these conventions, arguing that authors used them, and the expectations they generate, as a form of shorthand to interiority. Understanding romance conventions in this way reveals that romance characters' complex and often contradictory inner lives are made available precisely through the genre's narrative structures, shapes, and norms. Drawing upon recent work in the History of Emotions and Affect Theory, the author ...
French Gothic Ivories
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.
Portraits of Medieval Europe, 800–1400
This volume provides a collection of ‘imagined lives’ – individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book’s approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offer...
Textiles and Textile Imagery in Early Medieval English Literature
Identifies and analyses a wide range of textile metaphors and imagery from peace-weaving in Beowulf to word-crafting in Elene. Textile metaphors, or metaphors involving the process and product of cloth-making, occur widely in literary traditions around the world. The same phenomenon holds true among the peoples of early medieval England. As close observers of a long and culturally significant textile tradition, pre-Conquest English writers drew upon their close familiarity with spinning and weaving to create a wide range of metaphorical textile images in both Old English and Anglo-Latin literature. This book examines early medieval English textile imagery in close detail, situating it within...
The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)
The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.
