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This book discusses the printers’ devices used in Poland-Lithuania in the fifteenth and sixteenth centuries. The compositions that served to identify the products of individual printers are explored here as previously unacknowledged research material for cultural studies: they allow for the reconstruction of the mentality of contemporary printers as well as their co-workers and reading public. The book investigates relationships within early modern intellectual communities and shows that the textual and visual discourses of the printers’ devices were pan-European, reflecting the networked communities of European centres of learning and commerce. It documents the broad range of the output of Polish-Lithuanian presses as well and is therefore also a study of book culture in a multinational and multilingual state, whose inheritance is poorly recognised internationally.
This volume provides, for the first time, a pan-European view of the development of written languages at a key time in their history: that of the 16th century. The major cultural and intellectual upheavals that affected Europe at the time - Humanism, the Reformation and the emergence of modern nation-states - were not isolated phenomena, and the evolution of the orthographical systems of European languages shows a large number of convergences, due to the mobility of scholars, ideas and technological innovations throughout the period.
The definitive history of one of the fiercest battles of World War II This definitive history of one of the fiercest battles of World War II describes the siege of Budapest in unprecedented detail. Both Stalin and Hitler demanded victory at all costs, and the cost was extreme: 80,000 Soviet troops, 38,000 German and Hungarian soldiers, and 38,000 Hungarian civilians perished. The book provides the first full account of this shocking battle. "As a military history [The Siege of Budapest] is unrivaled. . . . Magisterial."--John Lukacs, New York Review of Books "An exceedingly dramatic book, filled with fascinating stories, some of them even humorous, and with heart-rending accounts of suffering, limitless cruelty, and amazing decency."--István Deák, New Republic "Ungváry has written a dramatic, gripping history of this siege, filling a gap in WWII history."--Choice
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This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections – ‘Hotspots and Trade Routes’, ‘Usual Dealings’, and ‘Recycling Economies’ – the chapters in this collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe. Contributors: Renaud Adam, Daniel Bellingradt, Frank Birkenholz, Simon Burrows, Orietta Da Rold, Michael Falk, Anna Gialdini, Rachel Hendery, Silvia Hufnagel, Jean-Benoît Krumenacker, Katherine McDonough, Krisztina Rábai, Anna Reynolds, Benito Rial Costas, Tapio Salminen, Helen Smith, Jan Willem Veluwenkamp, Andreas Weber, and Megan Williams.
Music in the Writings and Imagination of Silesian Humanists explores the sound-world of early modern Silesia via the writings of humanists active there in the sixteenth and seventeenth centuries who both observed musical culture and actively participated in it: a poet, a publisher, a pedagogue, a physician, a historian, and a regionalist. Such an approach makes it possible to reconstruct their perceptions and understandings of music—a constitutive element of this community. As these authors concentrated more on the representation of music than the art itself, the book reflects the collective memory of the republic of scholars: their individual and common imaginarium.
Queens of Poland are conspicuously absent from the study of European queenship—an absence which, together with early modern Poland’s marginal place in the historiography, results in a picture of European royal culture that can only be lopsided and incomplete. Katarzyna Kosior cuts through persistent stereotypes of an East-West dichotomy and a culturally isolated early modern Poland to offer a groundbreaking comparative study of royal ceremony in Poland and France. The ceremonies of becoming a Jagiellonian or Valois queen, analysed in their larger European context, illuminate the connections that bound together monarchical Europe. These ceremonies are a gateway to a fuller understanding of European royal culture, demonstrating that it is impossible to make claims about European queenship without considering eastern Europe.
This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.