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Jonas Wergeland is a successful TV documentary producer and something of God's gift to women. But one day he returns from the world's fair in Seville to discover his wife dead on the living room floor. What follows is not only a quest to find the killer but also a whimsical look at just how Jonas came to this particular juncture. Following the twists and turns of his life up to an unforgettable, edge-of-your-seat conclusion, this post-modernist novel is an international best-seller and winner of the prestigious Nordic Prize 1999, Scandinavia's highest literary honour.
The third volume of Jan Kjaerstad's award-winning trilogy finds Jonas aboard the Voyager, a small boat exploring the reaches of the great Sognefjord in Western Norway. Also on board, four young people engaged in a multi-media project to chart all aspects of the fjord - its geography, people, and history. But, like the space probe the boat is named for, Jonas' personal journey of discovery reaches far beyond the usual confines of time and space. With all the breathtaking prowess of a master juggler, Jan Kjaerstad throws episode after episode from Jonas Wergeland's life into the air and holds them, suspended, like planets in solar system. And the reader, once again, is drawn into Wergeland's universe, and taken on a journey - this time with his daughter as guide - to discover finally the truth about his life, and what led to the death of his wife.
"Jonas Wergeland has been convicted for the murder of his wife Margrete. What brought Norway's darling to this end? A professor has been set the task of writing a biography of the once celebrated, now notorious, television personality. In doing so, he hopes to solve the riddle of Jonas Wergeland's success and downfall. But the sheer volume of material on his subject is so daunting that the professor finds himself completely bogged down, at a loss as to how to proceed, until the evening when a mysterious stranger knocks on his door and offers to tell him stories which will help him unravel the strands of Wergeland's life."--BOOK JACKET.
Jonas Wergeland has been convicted of the murder of his wife Margrete. What brought Norway's darling to this end? A professor has been set the task of writing a biography of the once celebrated, now notorious, television personality; in doing so he hopes to solve the riddle of Jonas Wergeland's success and downfall. But the sheer volume of material on his subject is so daunting that the professor finds himself completely bogged down, at a loss as how to proceed, until the evening when a mysterious stranger knocks on his door and offers to tell him stories which will help him unravel the strands of Wergeland's life.
Migration and Literature offers a thought-provoking analysis of the thematic and formal role of migration in four contemporary and canonized novelists.
Working in the vein of Anne Carson, Josefine Klougart's novel is both true-to-life and incredibly poetic in its relating of a brief, intense love affair and the grief and disillusionment that follow its end. While she recounts the time with her lover, the narrator is also heading back home, where her mother is dying of cancer. This contrast between recollection and the belief that certain things will always be present in your life runs throughout the book, underpinning the striking imagery and magnificent prose.
The history of the Novel is a story of perpetual change, so that its identity still remains open to question. The sixteen articles in Reinventions of the Novel investigate connections, differences and similarities in the Novel around the world for the past three hundred years. Rather than searching for the essence of the genre, they look for the formal and thematic patterns on which the novel thrives, considering such matters as tradition and modernity, realism, rhetoric and identity, tableau and spatiality, and wondering whether epic and avant-garde are not quite contradictory terms. Close readings combined with historical overviews and theoretical discussions open up new constellations in ...
Lying in bed in Gotland after a writer's conference, thinking about his compulsive desire to travel - and the uncomfortable tensions this desire creates - the narrator of Salki starts recounting tragic stories of his family's past, detailing their lives, struggles, and fears in twentieth-century Eastern Europe. In these pieces, he investigates various 'salkis' - attic rooms where memories and memorabilia are stored - real and metaphorical, investigating old documents to better understand the violence of recent times.
Based on true events, the story of a Holocaust survivor who spent her life trying to disappear.