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A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven's piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven's pianism as well as his characteristics of notation, form and content, "types of touch," articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.
The Chopin Etudes are without doubt one of the highlights of piano literature - they are essential in achieving a masterful technique and full of musical ideas. The present e-book edition illustrates the etudes in a historical context, based on an excursus on Chopin's piano methodology and a thorough comparison of the musical texts: from the original manuscripts to the most recent urtext editions. It deals with questions about genesis, style, interpretation and playing technique as well as with the history and development of the piano. This casts an entirely new light not only on the etudes themselves but also on the interpretation of other works by Chopin. With its numerous examples, facsimile reproductions and a discography, this e-book is a must-have for both lovers of Chopin's music and advanced amateur and professional pianists.
A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven’s piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven’s pianism as well as his characteristics of notation, form and content, “types of touch,” articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.
Studie over de contemporaine speelwijze van de etudes voor piano opus 10 en opus 25 van de Poolse componist (1810-1849).
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